Jannis Kounellis, Untitled (Untitled), 1969, metal bed frame, wool
Tag: beds
sophie calle
Nina Vocec in my room, Paris (2001) By Nan Goldin; cibachrome print; 30 h x 30 w inches;
Nan Goldin
Brian with Three Beds, Hotel Seville, Merida, Mex.,
1982/1997
Cibachrome, 51 x 61 cm
Collection Fotomuseum Winterthur
Inv. no. 1998-006-010
© Nan Goldin
Janine Antoni, Seduction Couch, 1986
Francis Bacon, Sensations of Couples Copulating Triptych, Three Studies of Figures on Beds, 1972
Tracey Emin, Leave Her Mind Alone, 2010
The Face, September 1998
Photo – Mario Sorrenti
Contributor – Superimpose Studio
Doris Salcedo, Untitled
Salcedo developed these works for the XXXI National Salon for Colombian Artists, held in Medellín in 1987. The sculptures are made primarily from abandoned hospital furniture and reveal the artist’s ongoing interest in combining different objects and materials for their symbolic value.
Untitled (1986), partially constructed from a found bed frame, juxtaposes animal tissue, ten plastic dolls, and the severe angularity of the steel frame. Salcedo physically transformed the surfaces and colors of these objects, applying acids or allowing the pieces to weather and collect dust. These works developed out of the artist’s consideration of how Colombian drug cartels have recruited poor boys from Medellín as hired assassins, known in Spanish as sicarios.
Tracey Emin, Leave Her Mind Alone, 2010
vs.
Louise Bourgeois, The Reticent Child, 2003 Element of the installation that presents six different stages of the life of the artist’s son Alain. The work was created for an exhibition at the Sigmund Freud Museum in Vienna.
Jenny Holzer, Truisms (Marquees), 1993, installation, NYC
Muriel Zeller, “Self, Time and External Circumstances”
Gwendolyn Brooks, “The Mother”
Mona Hatoum, Marrow , 1996, rubber, 128.3 x 58.4 x 50.8 cm. (50.5 x 23 x 20 in
Doris Salcedo, Untitled, 1987, Steel cot, steel shelving, rubber, 10 plastic dolls and pig intestine, 1870 x 2410 x 460 mm, 65, Tate
Tracey Emin, Terribly Wrong 1997, monoprint on paper, 58.2 x 81.1. Tate
Frida Kahlo, My Birth, Mi Nacimiento, 1932
Anne Sexton, “The Abortion”
Sylvia Plath, April 18th
Tracey Emin, Feeling Pregnant (in 6 parts) , 2000, clothes, wood and text