Jenny Holzer, Silver snake ring inscribed “With you inside me comes the knowledge of my death” (1994), From Didier Ltd.
Tracey Emin, When I go to Sleep I Dream of You Inside of Me (2003), From Coskun Fine Art
Jenny Holzer, Silver snake ring inscribed “With you inside me comes the knowledge of my death” (1994), From Didier Ltd.
Tracey Emin, When I go to Sleep I Dream of You Inside of Me (2003), From Coskun Fine Art
Jenny Holzer, What a shock when they tell you it won’t hurt… (1989), bethel white granite bench
Doris Salcedo, Colombian, b. 1958
Untitled, 2008
Wood and concrete
85 5/8 × 95 ¼ × 40 in. (220 × 242 × 120 cm)
Collection Museum of Contemporary Art Chicago, Gift of Katharine S. Schamberg by exchange, 2008.20
Photo: Nathan Keay, © MCA Chicago
Jannis Kounellis (B. 1936)
Napoli
signed, titled and dated, ‘Kounellis, Napoli ’75’ (on the paper);
inscribed ‘Jannis Kounellis, Opera realization izata il 28.5.1975. A Napoli (Hotel Excelsior). Ed esporista a Napoli ala Lucio Amelio Jiunio a Ottobre 1975’ (on the underside of the vitrine)
shoes, gold paint and paper in a glass and metal vitrine
36 x 27 x 19in. (91.4 x 70.5 x 50.1cm.)
Dorothea Tanning
joseph beuys, 1983. Vásquez Rocca, Adolfo, “Joseph Beuys ‘Cada hombre, un artista’; Los Documenta de Kassel o el Arte abandona la galería” (Reedición) En Revista Almiar, MARGEN CERO, MADRID, Nº 37 – diciembre de 2007 – Margen Cero © , Fundadora de la Asociación de Revistas Culturales de España,
Ida Applebroog. Chairs
J Abrams, Hairchair, salvaged chair, wood, wire, 2015
Robert Gober
‘Shower’, Richard Wentworth, 1984 | Tate
“Richard Wentworth’s sculpture typically takes mundane objects and transforms their role and identity. He gives everyday items like chairs, tables and buckets a double role, to disrupt their conventional significance. Shower demonstrates Wentworth’s affection for the commonplace, combining a 1950s table and a model ship’s propeller. The propeller is fixed to the table, as if to a boat, like childhood games in which items of furniture become imaginary vehicles. The plate suggests that the table is anchored to the floor. The title refers to a memory of seeing tilted tables outside a café during a heavy shower in Spain.”
—Gallery label, May 2007
Robert Gligorov, Dollar Notes, 2006-07 , installation, mixed media plan, glass birdhouse, canaries, bird food, scale 1.1