Harutyun Simonyan   Uterus, 2002

The installation in the waiting room of Erlaufer Bahnhof is a kind of anti-monument that symbolizes the importance of the monument in relation to the collective and the individual symbolically with the terms “outside” and “inside”. In the video “Uterus”, the Armenian artist returned to a fetal state in an imaginary womb. At the same time, he transmitted the outside of the station to the interior of the waiting room via video camera.