
Christian Boltanski, Vitrine de Reference

Christian Boltanski, Vitrine de Reference

Jannis Kounellis (B. 1936)
Napoli
signed, titled and dated, ‘Kounellis, Napoli ’75’ (on the paper);
inscribed ‘Jannis Kounellis, Opera realization izata il 28.5.1975. A Napoli (Hotel Excelsior). Ed esporista a Napoli ala Lucio Amelio Jiunio a Ottobre 1975’ (on the underside of the vitrine)
shoes, gold paint and paper in a glass and metal vitrine
36 x 27 x 19in. (91.4 x 70.5 x 50.1cm.)

joseph beuys, 1983. Vásquez Rocca, Adolfo, “Joseph Beuys ‘Cada hombre, un artista’; Los Documenta de Kassel o el Arte abandona la galería” (Reedición) En Revista Almiar, MARGEN CERO, MADRID, Nº 37 – diciembre de 2007 – Margen Cero © , Fundadora de la Asociación de Revistas Culturales de España,

Berlinde De Bruyckere, Into One-Another II to P.P.P., 2010, wax, epoxy, iron, wood, glass

“Untitled (Hair Collar),” 1993 by Ann Hamilton. Linen collar with hand-sewn horsehair in case

Matthew Barney, Oonagh MacCumhall: The Case of the Entered Novitiate, 2002, detail, internally lubricated plastic, cast, urethane, cast thermoplastic, prosthetic plastic, stainless steel, acrylic, earth and potatoes in polyethylene and acrylic vitrine, collection of the Art Institute, Chicago
Joseph Beuys, Iphigenie Vitrine, 1961-1985
Joseph Beuys, “Vitrine IPHIGENIE IV,” 1961 -1976, 1961-1976, 1979, 1985, Head, 1961–1976 Head, 1961–1976 Ja, ich habe …, 1979 Joyce with Sled, 1985.

Chris Burden, American, b. 1946
Pick, Bottle and Alcohol, 1979
Pick, glass bottle, sign, and wood and glass vitrine
12 × 22 × 19 in. (30.5 × 55.9 × 48.3 cm)
Collection Museum of Contemporary Art Chicago, Gift of Lannan Foundation, 1997.25.a-e
Photo: Nathan Keay, © MCA Chicago