Who

apoemaday:

by Sylvia Plath

The month of flowering’s finished. The fruit’s in,
Eaten or rotten. I am all mouth.
October’s the month for storage.

The shed’s fusty as a mummy’s stomach:
Old tools, handles and rusty tusks.
I am at home here among the dead heads.

Let me sit in a flowerpot,
The spiders won’t notice.
My heart is a stopped geranium.

If only the wind would leave my lungs alone.
Dogsbody noses the petals. They bloom upside down.
They rattle like hydrangea bushes.

Mouldering heads console me,
Nailed to the rafters yesterday:
Inmates who don’t hibernate.

Cabbageheads: wormy purple, silver-glaze,
A dressing of mule ears, mothy pelts, but green-hearted,
Their veins white as porkfat.

O the beauty of usage!
The orange pumpkins have no eyes.
These halls are full of women who think they are birds.

This is a dull school.
I am a root, a stone, an owl pellet,
Without dreams of any sort.

Mother, you are the one mouth
I would be a tongue to. Mother of otherness
Eat me. Wastebasket gaper, shadow of doorways.

I said: I must remember this, being small.
There were such enormous flowers,
Purple and red mouths, utterly lovely.

The hoops of blackberry stems made me cry.
Now they light me up like an electric bulb.
For weeks I can remember nothing at all.

Virginia Woolf, To the Lighthouse

Carrie Lorig, The Book of Repulsive Women

Kate Zambreno, Heroines 

Sylvia Plath, “Daddy”

Anne Carson, The Beauty of The Husband 

Alice Notley, The Descent of Alette

Virginia Woolf, A Room of One’s Own 

Suzanne Scalon, Her  37th Year an Index 

Jenny Holzer, Truisms (Marquees), 1993, installation, NYC

Muriel Zeller, “Self, Time and External Circumstances”

Gwendolyn Brooks, “The Mother”

Mona HatoumMarrow , 1996, rubber, 128.3 x 58.4 x 50.8 cm. (50.5 x 23 x 20 in

Doris Salcedo, Untitled, 1987, Steel cot, steel shelving, rubber, 10 plastic dolls and pig intestine, 1870 x 2410 x 460 mm, 65, Tate

Tracey Emin, Terribly Wrong 1997, monoprint on paper, 58.2 x 81.1. Tate

Frida Kahlo, My Birth, Mi Nacimiento, 1932

Anne Sexton, “The Abortion”

Sylvia Plath, April 18th 

Tracey EminFeeling Pregnant (in 6 parts) , 2000, clothes, wood and text

Writers need to be damned hard to kill. So do women, of course. I have never believed in suicide, the female poet’s alternative to standing her ground and facing down the power of men. I don’t like it that Plath and Sexton wrote strong and beautiful poems capturing the horror and meanness of male dominance but would not risk losing socially conventional femininity by sticking around to fight it out in the realm of politics, including the politics of culture. I always wanted to live. I fought hard to live. This means I did something new. I have been bearing the unbearable, and facing men down, for a long time now.

—-andrea dworkin, life and death