
Jo SPENCE, 1934 – 1992, The Final Project [Specimen Jars], 1991 – 1992, Collaboration with Terry Dennett, Positive digital print from 35mm colour negative59 x 89 cm, Edition of 2 plus 1 Estate Copy

Jo SPENCE, 1934 – 1992, The Final Project [Specimen Jars], 1991 – 1992, Collaboration with Terry Dennett, Positive digital print from 35mm colour negative59 x 89 cm, Edition of 2 plus 1 Estate Copy

Kiki Smith, Meat Arm, bronze, 1992

Jannis Kounellis (B. 1936)
Napoli
signed, titled and dated, ‘Kounellis, Napoli ’75’ (on the paper);
inscribed ‘Jannis Kounellis, Opera realization izata il 28.5.1975. A Napoli (Hotel Excelsior). Ed esporista a Napoli ala Lucio Amelio Jiunio a Ottobre 1975’ (on the underside of the vitrine)
shoes, gold paint and paper in a glass and metal vitrine
36 x 27 x 19in. (91.4 x 70.5 x 50.1cm.)

“Untitled (Hair Collar),” 1993 by Ann Hamilton. Linen collar with hand-sewn horsehair in case

Matthew Barney, Oonagh MacCumhall: The Case of the Entered Novitiate, 2002, detail, internally lubricated plastic, cast, urethane, cast thermoplastic, prosthetic plastic, stainless steel, acrylic, earth and potatoes in polyethylene and acrylic vitrine, collection of the Art Institute, Chicago

Peter Hujar, photograph of Paul Thek’s Tomb Figure with Two Sculptures, 1967/2010

Damien Hirst, detail from The Martyrdom of Saint Andrew, 2002 – 2003
Felix Gonzalez-Torres, Untitled (Lover’s Letter), 1991

Mona Hatoum, One Year (2005), 2007, human nails and polyester resin