Tag: my collages

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Louise Bourgeois, Topiary, 1998, Fabric and steel, overall: 19 ½ x 20 x 11" (49.5 x 50.8 x 27.9 cm), The Easton Foundation/Licensed by VAGA, NY

Louise Gluck from The Wild Iris 

Louise Bourgeois, Eugénie Grandet, (détail) 2009, Suite of 16 cloth panels, with aquatint, drypoint, digital print, and mixed media

Louise Gluck | The Wild Iris

John La Farge, The Strange Thing Little Kiosai Saw in the River, 1985-1910, watercolour

John Galliano F/W 1987-88

Anne Carson | “The Albertine Workout”

Unknown

Alice Notley | Negativity’s Kiss 

Alice Notley | Doctor Williams’ Heiresses  

Nobuyoshi Araki, From Bondage series (1980 – 1989)

Ghérasim Luca | Self-Shadowing Prey

Jennifer Chang

Jenny Holzer, Truisms (Marquees), 1993, installation, NYC

Muriel Zeller, “Self, Time and External Circumstances”

Gwendolyn Brooks, “The Mother”

Mona Hatoum, Marrow , 1996, rubber, 128.3 x 58.4 x 50.8 cm. (50.5 x 23 x 20 in

Doris Salcedo, Untitled, 1987, Steel cot, steel shelving, rubber, 10 plastic dolls and pig intestine, 1870 x 2410 x 460 mm, 65, Tate

Tracey Emin, Terribly Wrong 1997, monoprint on paper, 58.2 x 81.1. Tate

Frida Kahlo, My Birth, Mi Nacimiento, 1932

Anne Sexton, “The Abortion”

Sylvia Plath, April 18th 

Tracey Emin, Feeling Pregnant (in 6 parts) , 2000, clothes, wood and text

1) Alice Notley, In The Pines

2, 4) Kathy Acker, Pussy, King of the Pirates

3) Jennifer Crispin’s tinyletter

Andrea Dworkin—Life and Death

bell hooks—Feminism Is for Everybody: Passionate Politics 

Shulamith Firestone | The Dialectic of Sex

Elena Ferrante—The Days of Abandonment 

Sue Williams, Try to Be More Accomodating, 1991, acrylic on canvas

CLÉMENCE X. CLEMENTINE AND ASSOCIATES FROM THE INFINITE VENOM GIRL GANGA—Against the Couple-Form

bell hooks—The Will to Change

Kathy Acker—Empire of the Senseless

John Berger—Ways of Seeing 

Helen Chadwick—Vanitas, 1985

Margaret Atwood—The Robber Bride

John Berger—Ways of Seeing

Helen Chadwick—Vanitas II,1986

Kristin Sanders—This is A Map of Their Watching Me

Kathy Acker—Empire of the Senseless

Happy Belated V Day from me to you and also to me

Ai

Dodie Bellamy from Low Culture

me on Valentine’s Day 2015 with a pre-frosted heart, ripe for devouring 

Kathy Acker from Empire of the Senseless 

Helene Cixous from The Love of the Wolf

The Marcel in the Moriarty is Duchamp, not Proust—still: too good.

1, 3: Anne Carson—The Albertine Workout

2: Laura Moriarty, Nude Memoir