Tracey Emin (b. 1963), Homage to Edvard Munch and All My Dead Children, original note: signed and dated ‘Tracey Emin 29/3/05’ (lower right), video: signed, titled, inscribed and dated ‘Homage to Edvard Munch and All My Dead Children (LOOP) 5/09/98 DUR 29’00" Beta SP/NTSC Tracey Emin’ (on the cover); signed ‘Tracey Emin’ (on a printed label affixed to the tape)
(i) inkjet print with filmstill and handwritten description of the project
(ii) Beta video tape with original drawing on the cover
(i) 8 1/8 x 11¾in. (20.6 x 29.8cm.)
Tag: miscarriage
Jenny Holzer, Truisms (Marquees), 1993, installation, NYC
Muriel Zeller, “Self, Time and External Circumstances”
Gwendolyn Brooks, “The Mother”
Mona Hatoum, Marrow , 1996, rubber, 128.3 x 58.4 x 50.8 cm. (50.5 x 23 x 20 in
Doris Salcedo, Untitled, 1987, Steel cot, steel shelving, rubber, 10 plastic dolls and pig intestine, 1870 x 2410 x 460 mm, 65, Tate
Tracey Emin, Terribly Wrong 1997, monoprint on paper, 58.2 x 81.1. Tate
Frida Kahlo, My Birth, Mi Nacimiento, 1932
Anne Sexton, “The Abortion”
Sylvia Plath, April 18th
Tracey Emin, Feeling Pregnant (in 6 parts) , 2000, clothes, wood and text
Tracey Emin, HOMAGE TO EDVARD MUNCH AND ALL MY DEAD CHILDREN, 1998
Single screen projection and sound, shot on Super 8, transferred to DVD
Duration: 1 minute, Edition 3/10
Please post more of your own art. When you’re famous I’ll be able to think to myself “I wrote her when she was just starting”.
Oh man. What a lovely comment. I don’t generally post the text of my writing, because I am shopping my work to publishers right now and any prior publishing is frowned upon, but here is a link to an audio recording of the first section of my collection, The Orchard, with some weird sound effects.
Again; thanks so much. I have scant ambitions toward fame, but I do have aspirations to achieving some sort of emotional and intellectual cogency, so this note made my night.

Tracey Emin, I Couldn’t Feel You, 2010, 8 3/8 x 6 11/16 inches, embroidered cotton

