Mona Hatoum, Recollection, 1995, installation, hair balls, strands of hair hung from ceiling, wooden loom with woven hair, table, soap, Beguinage St. Elizabeth, Kortijk, Belgium.
Tag: interiors

Mona Hatrum, Marbles Carpet, 1995

Louise Bourgeois, The Couple, 2003, installed at Mass MoCA, personal photo
“Fabricated in cast aluminum, the two figures in Couple (2003) are meant to hold on to each other for eternity. Bourgeois suffered from a lifelong fear of separation and abandonment, a dread rooted in the events of her early childhood. Made out of various materials and at different scales, and sometimes hanging precariously together from a single wire, Bourgeois’s many couple sculptures express an anxiety defined by the potential loss of the love object. The suspended sculptures also have the capacity to spin in opposite directions, existing in a perpetual state of fragility and ambivalence. Spirals, which abound in Bourgeois’s work and are echoed in the movement of the rotating figures, have duality inherent to their form:
‘The spiral is an attempt at controlling the chaos. It has two directions. Where do you place
yourself, at the periphery or at the vortex? Beginning at the outside is the fear of losing control;
the winding in is a tightening, a retreating, a compacting to the point of disappearance.
Beginning at the center is affirmation, the move outward is a representation of giving, and giving
up control; of trust, positive energy, of life itself.’”

ROBERT GOBER
Prison Window
1992
Plywood, forged iron, plaster, latex paint and lights
48 x 53 x 36 inches
(121.9 x 134.6 x 91.4 cm)
Edition 3 of 5 1 AP
Doris Salcedo – Neither, Plaster and Steel Plates, 494 x 740 x 1500 cm, 2004
Harutyun Simonyan Uterus, 2002
The installation in the waiting room of Erlaufer Bahnhof is a kind of anti-monument that symbolizes the importance of the monument in relation to the collective and the individual symbolically with the terms “outside” and “inside”. In the video “Uterus”, the Armenian artist returned to a fetal state in an imaginary womb. At the same time, he transmitted the outside of the station to the interior of the waiting room via video camera.

The cross at the Louise Bourgeois Church

Interior with Still life and Window by Jan Van Der Kooi

Nan Goldin’s Hotel Room, Zurich 1988, 1996


