
‘Map’ by Mona Hatoum, 1998 glass marbles on the floor

‘Map’ by Mona Hatoum, 1998 glass marbles on the floor
Mona Hatoum

Louise Bourgeois, Fountain and Benches, installed at Agnes R. Katz Plaza, 7th Street and Penn Avenue, Pittsburgh, Pennsylvania, 1996-1999, Fountain: bronze and fiber optic lighting; Benches: Zimbabwe Granite

Genevieve Cadieux, Family Portrait, 1991
Image: Felix Gonzalez-Torres’ “Untitled” [Golden], 1993)
Text: Margaret Atwood from Interlunar

Kiki Smith
Mother, 1992-93
Glass and steel.
Variable dimensions.
High Museum of Art, Atlanta Purchase for the Elson Collection of Contemporary Glass.
© Kiki Smith 1998
Clare Twomey, Forever, 2010-11
his work was made in response to the historic Burnap collection at the Nelson Atkins Museum in Kansas, USA; the collection comprises 1345 objects and one of these, the Sandbach Cup, was chosen by the artist and reproduced 1345 times with the help of Hartley Greens & Co. Leeds Pottery, a ceramics factory in northern England.
The public were able to own one of these cups if they agreed to sign a deed from the Museum that stated they would keep it forever: 10,000 people signed this agreement highlighting issues of ownership, responsibility and the notion of time.

Kiki Smith,
Untitled, 1991
Date: 1991
Identifier: 14502
Image Format: 35mm slides
Installation view: “The Interrupted Life,” New Museum, New York, 1991.
Photography Credit: Fred Scruton

Rachel Lachowicz
Forensic Projection (28, 58, 88 Years), 1992
Date: 1999
Identifier: 15773
Image Format: 35mm slides
Installation view: “The Time of Our Lives,” New Museum, New York, 1999.
Photography Credit: Fred Scruton

Amalia Mesa-Bains
Body + Time = Life/Death, 1991
Date: 1991
Identifier: 14492
Image Format: 35mm slides
Installation view: “The Interrupted Life,” New Museum, New York, 1991.
Photography Credit: Fred Scruton