I gathered ghosts and gave them my lecture
I bid them away, I pleaded and cried. I said
There’s no room in my life for you, or you
Or your howling!
Tag: haunts
Robert Hass
vs.
my text message history
Marissa Nadler: “Annabelle Lee”
Introduction to Best American Poetry, 1992
What the Angels Left
At first, the scissors seemed perfectly harmless.
They lay on the kitchen table in the blue light.Then I began to notice them all over the house,
at night in the pantry, or filling up bowls in the cellarwhere there should have been apples. They appeared under rugs,
lumpy places where one would usually settle before the fire,or suddenly shining in the sink at the bottom of soupy water.
Once, I found a pair in the garden, stuck in turned dirtamong the new bulbs, and one night, under my pillow,
I felt something like a cool long tooth and pulled them outto lie next to me in the dark. Soon after that I began
to collect them, filling boxes, old shopping bags,every suitcase I owned. I grew slightly uncomfortable
when company came. What if someone noticed themwhen looking for forks or replacing dried dishes? I longed
to throw them out, but how could I get rid of somethingthat felt oddly like grace? It occurred to me finally
that I was meant to use them, and I resisted a growing compulsionto cut my hair, although in moments of great distraction,
I thought it was my eyes they wanted, or my soft belly—exhausted, in winter, I laid them out on the lawn.
The snow fell quite as usual, without any apparent hesitationor discomfort. In spring, as expected, they were gone.
In their place, a slight metallic smell, and the dear muddy earth.Marie Howe
The End by Emily Berry
I believed death was a flat plain spectacular endlessly
Can you distort my voice when I say this?
My scared ghost peeling off me
Distortion, she says, as if she has just made it up
And then she is quoting a line from a poem
Or is it a whole poem, I wish I could remember
My voice opens and calls you in
I don’t know if you can hear me
I said, I carry inside me the trace of a threat that I cannot discharge
I said, I want to ask you things you can’t ask a person who doesn’t exist
She said, Why can’t you ask them
If we can’t have everything what is the closest amount to everything we can have?
She said, Why can’t you have everything
Well, you know, when you’re looking for a person, sometimes they appear
And a light goes on and off in the opposite window, twice
Yes, you say, that was a sign
Strange love for the living, strange love for the dead
Listen. I don’t know who you are but you remind me of —
I wish you would put some kind of distortion on my voice, I tell her
So people don’t know it’s me
They know what they know, she said
I told a story about my shame
It got cold when the air touched it
Then it got hot, throbbed, wept, attracted fragments with which it eventually glittered
Till I couldn’t stop looking at it
Exactly, she says
And then she is quoting a line from a poem, I don’t know which one
In my dream she reached out to touch me as if to say, It’s all right
How I began to believe in something
Are you there?
The wind called to the trees
And then it happened
And they said, How do you feel?
And I said, Like a fountain
Night falls from my neck like silver arrows
Very gently
Penny Slinger “Exorcism house” 1977
ADA LIMÓN
THE LAST MOVE
It was months when it felt like I had been
washing the dishes forever.
Hardwood planks under the feet, a cord to the sky.
What is it to go to a We from an I?
Each time he left for an errand, the walls
would squeeze me in, I cried over the non-existent bathmat, wet floor of him,
how south we were, far away in the outskirts.
(All the new bugs.)
I put my apron on as a joke and waltzed around carrying
a zucchini like a child.
This is not New York and I am not important.
This was before we got the dog even, and before I really
trusted the paralyzing tranquilizer of love stuck
in the flesh of my neck.
Back home, in my apartment, another woman lived there.
In Brooklyn, by the deli, where everything
was clean and contained.
(Where I grieved my deaths.)
I took to my hands and knees. I was thinking about the novel
I was writing. The great heavy chest of live animals
I had been dragging around for years; what’s life?
I made the house so clean (shine and shine and shine).
I was suspicious of the monkey sounds of Kentucky’s birds,
judging crackles, rusty mailbox, spiders in the magnolia tree,
tornado talk, dead June bugs like pinto beans.
Somewhere I had heard that, after noting the lack
of water pressure in an old hotel in Los Angeles,
they found a woman’s body at the bottom
of the cistern.
Imagine, just thinking the water was low, just wanting
to take a shower.
After that, when the water would act weird,
spurt or gurgle, I’d imagine a body, a woman, a me
just years ago, freely single, happily unaccounted for,
at the lowest curve of the water tower.
Yes, and over and over,
I’d press her limbs down with a long pole
until she was still.

My friend wrote “tell me your secrets” on a wall about a year ago. She went back yesterday and people actually replied. I wasn’t sure exactly where to post this.

Kiki Smith, from a photography book


