
Doris Salcedo, Colombian, b. 1958
Untitled, 2008
Wood and concrete
85 5/8 × 95 ¼ × 40 in. (220 × 242 × 120 cm)
Collection Museum of Contemporary Art Chicago, Gift of Katharine S. Schamberg by exchange, 2008.20
Photo: Nathan Keay, © MCA Chicago

Doris Salcedo, Colombian, b. 1958
Untitled, 2008
Wood and concrete
85 5/8 × 95 ¼ × 40 in. (220 × 242 × 120 cm)
Collection Museum of Contemporary Art Chicago, Gift of Katharine S. Schamberg by exchange, 2008.20
Photo: Nathan Keay, © MCA Chicago

Dorothea Tanning

Révélation ou la fin du mois (Revelation or The End of the Month) from Hôtel du Pavot, Chambre 202, Dorothea Tanning, Upholstered chair, tweed, and wool, 31 ½ x 47 ¼ x 33 ½ in, 1970-73
Doris Salcedo,
La Casa Viuda VI (detail), 1995
Wooden doors, steel chair, and bone
Three parts: 74⅞ x 39 x 18½ in. (190.2 x 99.1 x 47 cm); 62⅞ x 47 x 22 in. (159.7 x 119.3 x 55.8 cm); and 62½ x 38 x 18½ in. (158.7 x 96.5 x 46.9 cm)
Collection of the Israel Museum, Jerusalem, gift of Shawn and Peter Leibowitz, New York, to American Friends of the Israel Museum
Photo: D. James Dee
“Salcedo’s interviews with displaced rural Colombian women forced out of their homes in search of safety resulted in the series La Casa Viuda. Doors without buildings, unmoored from their foundations, evoke the loss of home and lack of shelter that these families were forced to endure.The title of the series, roughly translated as “the widowed house,” furthers this sense of loss and disruption to the domestic sphere. Embedded within or joining the pieces of furniture, one finds other material remnants that evoke the human presence: a child’s toy chair, human bone, and articles of clothing. Using a strategy employed throughout her work, Salcedo creates uncanny experiences out of the seemingly familiar. As such, the house is transformed into a space of mourning.”—Chicago Museum of Contemporary Art

1999
table, clothing, coconuts and brush
60 by 120 by 60cm.; 23 5/8 by 47 ¼ by 23 5/8 in

Sarah Lucas, Spread Yourself Little Table, 2005

Melanie Bonajo, Furniture Bondage 03 (Janneke), 2007.

Rona Pondick, Loveseat, 1991