
Dorothea Tanning

Dorothea Tanning

Révélation ou la fin du mois (Revelation or The End of the Month) from Hôtel du Pavot, Chambre 202, Dorothea Tanning, Upholstered chair, tweed, and wool, 31 ½ x 47 ¼ x 33 ½ in, 1970-73

Dorothea Tanning “Murmers” @ Marianne Boesky by j-No
Via Flickr:
UES Manhattan NYC May 11, 2015

DOROTHEA TANNING
HOME AT LAST, 1972
Cardboard box, paper, plastic and dried flower on board
Perspex box frame: 43.2 x 55.2 x 12.7 cm / 17 x 21 ¾ x 5 in.

Dorothea Tanning, Sketch for Convolotus alchemelia (Quiet-willow window) (1 of 2), 1998, Alison Jacques Gallery

Dorothea Tanning (1910-2012)
Tango
etching, 1953
total edition of 50 signed and numbered on arches with Arabic numerals, 30 signed and numbered on arches with Roman numerals and an unspecified number of proofs including 2 signed color trial proofs with aquatint on Arches, 2 signed artist’s proofs on Arches and 1 signed B.A.T.
plate size 3 3/16" x 2½" (8.3 x 6 cm.)
printed by George Visat, Paris
Literature: Dorothea Tanning: Hail, Delirium!, New York Public Library, 1992, catalog no.7, pp.25, 89
…Now the discovery is Georges Visat, master etcher. Up two flights of worn steps to reach a room crowded with etching presses, three of them. The handles and their big wheels are thickened with years of etchers’ black ink. Some of the same will soon ink my second etching, two dancers scratched into a tiny copper plate. One of them is a dog (my dog) who, over the years, shows up in many avatars, as constant as a talisman.
-Dorothea Tanning,

Dorothea Tanning, Voyeurs, 1970, etching, aquatint and sugar-lift aquatint in colors with hand-coloring on wove paper

Dorothea Tanning
Nue endormie (Sleeping Nude)
1954
Oil on canvas
23 9/16 x 19 9/16 in.
Museum of Contemporary Art, Chicago, Anonymous Gift 84.23

Crepuscula glacialia (Var. Flos cuculi) – Dorothea Tanning, 1997,
American, 1910-2012
Oil on canvas, 39 x 51 in.

Dorothea Tanning’s Rainy Day Canapé (1970)