
Jeanne Quinn, Absence, 2000, 13 x 55 x 20 cm

Jeanne Quinn, Absence, 2000, 13 x 55 x 20 cm

Kiki Smith Untitled, 1991. High-fired enamel on glass, with wood shelf

Ron Nagle
Grandfather Figure, 2013
mixed media
6,3 x 15,8 x 13,3 cm
2,5 x 6.25 x 5.25 in.
Clare Twomey, Forever, 2010-11
his work was made in response to the historic Burnap collection at the Nelson Atkins Museum in Kansas, USA; the collection comprises 1345 objects and one of these, the Sandbach Cup, was chosen by the artist and reproduced 1345 times with the help of Hartley Greens & Co. Leeds Pottery, a ceramics factory in northern England.
The public were able to own one of these cups if they agreed to sign a deed from the Museum that stated they would keep it forever: 10,000 people signed this agreement highlighting issues of ownership, responsibility and the notion of time.

Richard Milette, Sacrifice, 1996, ceramic.
Hannah Wilke, Five Androgynous and Vaginal Sculptures, 1960-1966, terracotta, various sizes. Alison Jacques Gallery, London.
Agnes Dumouchel, Seven Bowls with Human Body Orifices, 1994

Tanya Batura, Object Study: Stumpy, Bumpy, Spiky, Strangled, Sutured, earthenware, 1997

Jeff Irwin, Male and Female Sticks, undated, 20 x 25 x 3 cm

Betty Woodman, Early Spring, 2013, glazed earthenware, epoxy resin, laquer, acrylic paint, t31 × 13.5 × 3.5 inches (79 × 34 × 9 cm)
Ann Agee – Female reproduction
and
Sarah Lucas—Nud

Jianhua Liu, Polychrome Ceramic Series–Games, 2000