
Damien Hirst, A Way of Seeing’ (2000)
Exhibition view of ‘Atlas’. Torre – Fondazione Prada, Milano. Photo Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada

Damien Hirst, A Way of Seeing’ (2000)
Exhibition view of ‘Atlas’. Torre – Fondazione Prada, Milano. Photo Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada

Kiki Smith

Gina Pane

Anselm Kiefer
Die Sprache der Vögel (für Fulcanelli)
2013
Lead, metal, wood and plaster
127 15/16 × 186 5/8 × 59 1/16 in. (325 × 474 × 150 cm)

Richard Long, A Hundred Mile Walk, 1971–2, Graphite on map, typescript, photograph, gelatin silver print on paper and printed labels on board
‘Shower’, Richard Wentworth, 1984 | Tate
“Richard Wentworth’s sculpture typically takes mundane objects and transforms their role and identity. He gives everyday items like chairs, tables and buckets a double role, to disrupt their conventional significance. Shower demonstrates Wentworth’s affection for the commonplace, combining a 1950s table and a model ship’s propeller. The propeller is fixed to the table, as if to a boat, like childhood games in which items of furniture become imaginary vehicles. The plate suggests that the table is anchored to the floor. The title refers to a memory of seeing tilted tables outside a café during a heavy shower in Spain.”
—Gallery label, May 2007
‘People’, León Ferrari, c.1982, 2007 | Tate

‘Dad’, Tracey Emin, 1993 | Tate

Memory of My Youth in the Mountains by Joseph Beuys

Erwin Wurm: One Minute Sculptures (1997) © Erwin Wurm