
After My Abortion XII, 1990 by Tracey Emin

After My Abortion XII, 1990 by Tracey Emin
Tracey Emin (b. 1963), Homage to Edvard Munch and All My Dead Children, original note: signed and dated ‘Tracey Emin 29/3/05’ (lower right), video: signed, titled, inscribed and dated ‘Homage to Edvard Munch and All My Dead Children (LOOP) 5/09/98 DUR 29’00" Beta SP/NTSC Tracey Emin’ (on the cover); signed ‘Tracey Emin’ (on a printed label affixed to the tape)
(i) inkjet print with filmstill and handwritten description of the project
(ii) Beta video tape with original drawing on the cover
(i) 8 1/8 x 11¾in. (20.6 x 29.8cm.)
Jenny Holzer, Truisms (Marquees), 1993, installation, NYC
Muriel Zeller, “Self, Time and External Circumstances”
Gwendolyn Brooks, “The Mother”
Mona Hatoum, Marrow , 1996, rubber, 128.3 x 58.4 x 50.8 cm. (50.5 x 23 x 20 in
Doris Salcedo, Untitled, 1987, Steel cot, steel shelving, rubber, 10 plastic dolls and pig intestine, 1870 x 2410 x 460 mm, 65, Tate
Tracey Emin, Terribly Wrong 1997, monoprint on paper, 58.2 x 81.1. Tate
Frida Kahlo, My Birth, Mi Nacimiento, 1932
Anne Sexton, “The Abortion”
Sylvia Plath, April 18th
Tracey Emin, Feeling Pregnant (in 6 parts) , 2000, clothes, wood and text
Don Quixote by Kathy Acker
Tracey Emin, HOMAGE TO EDVARD MUNCH AND ALL MY DEAD CHILDREN, 1998
Single screen projection and sound, shot on Super 8, transferred to DVD
Duration: 1 minute, Edition 3/10
Oh man. What a lovely comment. I don’t generally post the text of my writing, because I am shopping my work to publishers right now and any prior publishing is frowned upon, but here is a link to an audio recording of the first section of my collection, The Orchard, with some weird sound effects.
Again; thanks so much. I have scant ambitions toward fame, but I do have aspirations to achieving some sort of emotional and intellectual cogency, so this note made my night.

Tracey Emin, I Couldn’t Feel You, 2010, 8 3/8 x 6 11/16 inches, embroidered cotton