Tracey Emin from My Photo Album
Geoffrey Hendricks, Headstand, Bell Tower Torre Civica, Bergamo, Italy, 2012, Color photograph, 6 x 4 in (15.2 x 10.2 cm)
George Maciunas, Your Name Spelled with Objects, Kirsten Lundberg, 1977, Plastic box containing offset card and objects in various media, soverall (closed): 2 15/16 x 2 9/16 x 2 ¼" (7.5 x 6.5 x 5.7 cm)
Installation view of AutoTube / Full Moon I | AutoTube / Full Moon II | AutoTube / Full Moon III | Rubber inner tube with two watercolors and twine | 92 x 62 x 15cm | Geoffrey Hendricks | 2013
Ana Mendieta, Feathers on a Woman, University of Iowa, Iowa 1972
Anne Carson from Autobiography of Red
Robert Watts, A Flux Atlas, 1978, Plastic box with offset label, containing twenty-four offset cards and twenty-four rocks, overall (closed): 8 7/8 x 13 1/8 x 2 3/16" (22.5 x 33.3 x 5.6 cm)
Mary Kelly, Gloria Patri, 12 disks, 6 trophies, and 5 shields, the Masculine Masquerade exhibition, MIT List visual Arts Centre, Cambridge, MA
Colin Keefe
Snow Dome
1998
Molded plaster snow dome with pencil drawings of the cosmos; on composite plinth.
3-½ x 3-½ x 5 inches
Courtesy of Joy Garnett
From “Shake: An Exhibition of Snow Domes,” PS122 New York, 1998.
“Keefe, who is not an architect, but who possesses a profoundly architectural sensibility – and a corrosive wit – makes dizzyingly detailed, nightmarishly elegant drawings and models of congested, close-packed cities. His charmingly dystopian schemes, one of which is erected on an octagonal table resembling the gameboard for crokinole, present tiny wooden cities, all mild little basswood skyscrapers so winsome you forget, in their airless thronging together, just how hopeless life there would be.”
[From a review of “forms” at Project, Toronto, by GARY MICHAEL DAULT, The Toronto Globe and Mail, January 31, 2001]
Geoffrey Hendricks, from Between Two Points, Meditative Rituals
Verona, Italy: Francesco Conz, 1974-1976
56 x 67 x 13 cm.
Edition of 15 signed and numbered copies
A wooden box containing a folder, fabric covered boxes (containing photographic documentation of performances), and ten numbered relics. The work documents ritualistic performances in Norway and Italy in 1974
Michael Burkard
Little Bristling Soul 