
Leslie Jamison, The Empathy Exams

Judith Butler from Precarious Life (full text here)


I recognize that I love—you—by this: that you leave in me a wound that I do not want to replace. (Jacques Derrida, The Post Card)

Gina Pane, Le corps pressenti: L’amour, 1975, Color photographs, ink on paper, plaster, razor blade, 33.00 cm x 22.00]
The Franco-Italian artist Gina Pane is one of the most important representatives of the French Art Corporel. She achieved notoriety through her spectacular, choreographed down to the smallest detail actions of the 1970s, in which she relentlessly used her body as a material. Each action was performed only once and archived through photographs, sketches and relics. The panels exhibited here as well as the floor object with a footprint belong to the action “Les corps pressenti”, “The divined bodies”, listed in 1975 in the Galerie Krinzinger in Innsbruck. The power and violence of these inscriptions symbolize the artist through self-wounding, which take up the Christian iconography of the martyrs. In addition to rose thorns as symbols of suffering,“The wound is a sign of the extreme fragility of the body, a sign of suffering, a sign that always shows the external situation of aggression, the violence we are exposed to. The wound is the memory of the body, it stores its fragility, its pain and thus its real existence. "With her actions, Pane wants to shake us out of our indifference. She turns directly to us when she says, "When I open my body so that you can see your blood in it, I do so out of love for you: for the love of others. (…) That’s why your presence in my actions is important to me. ”
Frida Kahlo, Remembrance of an Open Wound, 1938
After I had cut off my hands
and grown new ones
something my former hands had longed for
came and asked to be rocked.
After my plucked out eyes
had withered, and new ones grown
something my former eyes had wept for
came asking to be pitied.
–Denise Levertov
when ingmar bergman said “if your tooth hurts, your tongue keeps going there. you’re always conscious of a wound”

Hermann Nitsch, 12. Aktion 12th Action, 1965 – 1988, Video transferred to DVD, color, sound, 50 minutes worben/acquired in 2004, Inventory number: D 33/0, music: Hermann Nitsch, camera: Peter Kasperak, sound: Rolf Leitenbor