Scraps of Moon

Scraps of moon
bobbing discarded on broken water
but sky-moon
complete, transcending
all violation
Here she seems to be talking to herself about
the shape of a life:
Only Once

All which, because it was
flame and song and granted us
joy, we thought we’d do, be, revisit,
turns out to have been what it was
that once, only; every invitation
did not begin
a series, a build-up: the marvelous
did not happen in our lives, our stories
are not drab with its absence: but don’t
expect to return for more. Whatever more
there will be will be
unique as those were unique. Try
to acknowledge the next
song in its body-halo of flames as utterly
present, as now or never.

–Denise Levertov

Once I was on earth
and I liked it.
I got to look at my toes
underwater. They looked bigger
than they were in real life.
As anyone can tell by looking at it
sugar is meaningless.
You are not supposed to stay in the hot tub
longer than ten minutes.
After that it is meaningless.
Like white poinsettias.
I mean at Christmas.
Maybe Christmas is meaningless too
but we used to pretend it was not
and I liked that.
It’s pointless.
I don’t actually know what a football looks like.
I think they have something to do with babies.
The man is carrying a baby across a field.
He is trying to save it.
It’s hard.
Sometimes people die trying to do things.
That’s OK.
There are things more important
than life or death.
I miss holding my breath.

Mary Ruefle, “Elegy for a Game”  (via fuckyeahannecarson)

Will you be voting in the midterm elections this November?

Yes! And imma take this opening to urge all eligible voters in the U.S. to do the same. Especially my fellow youngins. For the 2016 presidential election, youth voter turnout was only 48% and in the last midterm elections the voter turnout FOR THE ENTIRE COUNTRY, REGARDLESS OF AGE, was only 36.4% (the lowest turnout since 1942). Among young people the percentage of voters who participated in the most recent midterm election was a pitiful 21.5%. Please please please do not let yourselves be paralyzed my fatalism. Voting is your civic responsibility. You owe your vote, not only to yourself, but to all those who struggled, suffered, and died so that all Americans, regardless of gender, race, class, or creed could participate in our democracy, as well as to the many in our country who remain disenfranchised. 

Joe Green

Letter from a Dog Before Troy

Dear Penelope,
It’s windy here. Nine years in a tent on the beach.
Ulysses says they know what they’re doing.
Right.
Nine years and for what?
What’s nine years to them?
Most of my life.
I’m tired. Don’t even ask me about the gods.
There’s a limit to loyalty.
But you already know that.
I know about the puppies.
You should have told me.
She told me, of course.
I don’t care.
Just get them out of Ithaca.
By the time you read this
I’ll be gone. I have..what..four more years?
Going to someplace where there are no men.
No gods.
Maybe a few rabbits.

A fourteen-line poem on Adoration

by Julie Carr

       1. It does not take much

       2. Half an hour here, half an hour there

       3. It’s not a “presence” I adore

       4. The erotically swollen moon

       5. Let me go, friends, companions

       6. The soldier watches his kid in a play

       7. He seems nothing less or more than “foreigner”

       8. Grass. Dirt.

       9. The bottle broke and all the women gathered shards

       10. The effect was of inflation

       11. There was only one alive moment in the day

       12. Either I loved myself or I loved you

       13. Just like a mother to say that

       14. “Do you become very much?” she wrote

Gretel, from a sudden clearing

No way back then, you remember, we decided,
but forward, deep into a wood

so darkly green, so deafening with birdsong
I stopped my ears.

And that high chime at night,
was it really the stars, or some music

running inside our heads like a dream?
I think we must have been very tired.

I think it must have been a bad broken off
piece at the start that left us so hungry

we turned back to a path that was gone,
and lost each other, looking.

I called your name over and over again,
and still you did not come.

At night, I was afraid of the black dogs
and often I dreamed you next to me,

but even then, you were always turning
down the thick corridor of trees.

In daylight, every tree became you.
And pretending, I kissed my way through

the forest, until I stopped pretending
and stumbled, finally, here.

Here too, there are step-parents, and bread
rising, and so many other people

you may not find me at first. They speak
your name, when I speak it.

But I remember you before you became
a story. Sometimes, I feel a thorn in my foot

when there is no thorn. They tell me,
not unkindly, that I should imagine nothing here.

But I believe you are still alive.
I want to tell you about the size of the witch

and how beautiful she is. I want to tell you
the kitchen knives only look friendly,

they have a life of their own,
and that you shouldn’t be sorry,

not for the bread we ate and thought
we wasted, not for turning back alone,

and that I remember how our shadows walked
always before us, and how that was a clue,

and how there are other clues
that seem like a dream but are not,

and that every day, I am less
and less afraid.

Marie Howe

Postcard

apoemaday:

by Margaret Atwood

I’m thinking of you. What else can I say?
The palm trees on the reverse
are a delusion; so is the pink sand.
What we have are the usual
fractured coke bottles and the smell
of backed-up drains, too sweet,
like a mango on the verge
of rot, which we have also.
The air clear sweat, mosquitos
& their tracks; birds, blue & elusive.

Time comes in waves here, a sickness, one
day after the other rolling on;
I move up, its called
awake, then down into the uneasy
nights but never
forward. The roosters crow
for hours before dawn, and a prodded
child howls & howls
on the pocked road to school.
In the hold with the baggage
there are two prisoners,
their heads shaved by bayonets, & ten crates
of queasy chicks. Each spring
there’s a race of cripples, from the store
to the church. This is the sort of junk
I carry with me; and a clipping
about democracy from the local paper.
Outside the window
they’re building the damn hotel,
nail by nail, someone’s
crumbling dream. A universe that includes you
can’t be all bad, but
does it? At this distance
you’re a mirage, a glossy image
fixed in the posture
of the last time i saw you.
Turn you over, there’s the place
for the address. Wish you were
here. Love comes
in waves like the ocean, a sickness which goes on
& on, a hollow cave
in the head, filling and pounding, a kicked ear.

A BRIEF HISTORY OF LYING

by Joshua Marie Wilkinson

after Aaron Kunin

In the foreground, we
encounter a peculiar
music of keys, of laundry
being unfolded, of machines
building new machines
to show us how sadness
works in a loop. We
discover that the truth
is wired to rooms
our children continually
rename. We move through
them without moonlight
without any pencils
to weather out our findings.
Even our findings become
the city around us–bunkered up,
unstuck from the trees, fizzing
in the wires we think are missing.

‘At Evening,’ Vikram Seth

Let me now sleep, let me not think, let me
Not ache with inconsistent tenderness.
It was untenable delight; we are free–
Separate, equal–and if loverless,
Love consumes time which is more dear than love,
More unreplicable. With everything
Thus posited, the choice was clear enough
And daylight ratified our reckoning.

Now only movement marks the birds from the pines;
Now it’s dark; the blinded stars appear;
I am alone, you cannot read these lines
Who are with me when no one else is here,
Who are with me and cannot hear my voice
And take my hand and abrogate the choice.

Simone Weil, Waiting for God, 176-177

”The question of Beaumarchais: “Why these things rather than others? ” never has any answer, because the world is devoid of finality. The absence of finality is the reign of necessity. Things have causes and not ends. Those who think to discern special designs of Providence are like professors who give themselves up to what they call the explanation of the text, at the expense of a beautiful poem…Affliction forces us to feel with all our souls the absence of finality.”