Marc Quinn, Eternal Spring, 1998
Ray Osborn from Dandelions on the Lawn
Marc Quinn, Eternal Spring, 1998
Ray Osborn from Dandelions on the Lawn

Damien Hirst, A Way of Seeing’ (2000)
Exhibition view of ‘Atlas’. Torre – Fondazione Prada, Milano. Photo Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada

Paul Thek, Meat Sculpture with Butterflies, 1966, plexiglas on white pedestal, wax and butterflies
Damien Hirst
The Martyrdom of Saint James the Lesser, 2002-2003, Nickel plated stainless steel and glass cabinet with medical glassware and various objects, 70 7/8 x 36 7/16 x 10 5/16 in. (180 x 92.5 x 26.2 cm), White Cube
The Martyrdom of Saint James the Greater, 2002 – 2003, 1800 x 925 x 262 mm | 70.9 x 36.4 x 10.4 in, Glass, stainless steel, steel, nickel, brass, rubber, Bunsen burners, blooded sword, wallet, porcelain horse, scallop shells, plastic tubing, laboratory glassware and equipment
The Martyrdom of Saint Bartholomew, 2002-2003, Nickel plated stainless steel and glass cabinet with medical glassware and various objects, 70 7/8 x 36 7/16 x 10 5/16 in. (180 x 92.5 x 26.2 cm), White Cube
The Death of Saint John, 2002-2003, Nickel plated stainless steel and glass cabinet with medical glassware and various objects, 70 7/8 x 36 7/16 x 10 5/16 in. (180 x 92.5 x 26.2 cm), White Cube
The Martyrdom of Saint Peter, 2002-2003, Nickel plated stainless steel and glass cabinet with medical glassware and various objects, 70 7/8 x 36 7/16 x 10 5/16 in. (180 x 92.5 x 26.2 cm), White Cube
The Martyrdom of Saint Andrew, 2002-2003, Nickel plated stainless steel and glass cabinet with medical glassware and various objects, 70 7/8 x 36 7/16 x 14 3/16 in. (180 x 92.5 x 36 cm), White Cube
The Suicide of Judas Iscariot, 2002-2003, Black powder coated cabinet with stainless steel back plate, medical glassware and various objects, 94 ½ x 38 3/8 x 23 5/8 in. (240 x 97.5 x 60 cm), White Cube
The Martyrdom of Saint Simon, 2002-2003, Nickel plated stainless steel and glass cabinet with medical glassware and various objects, 70 7/8 x 39 9/16 x 10 5/16 in. (180 x 100.5 x 26.2 cm), White Cube
The Martyrdom of Saint Jude, 2002 – 20031800 x 925 x 262 mm | 70.9 x 36.4 x 10.4 in, Glass, stainless steel, steel, nickel, brass, rubber, Bunsen burner, wooden crucifix, Thermos liners, nails, wooden club with blood and hair, lump hammer, Dymo tape (boxed), bottle stoppers, laboratory glassware and equipment
The Martyrdom of Saint Thomas, 2002 – 2003, 1800 x 925 x 262 mm | 70.9 x 36.4 x 10.4 in, Glass, stainless steel, steel, nickel, brass, rubber, blood, rosary beads, filleting knife, ruler, set square, plastic tubing, wooden rack, blooded roman spears and laboratory glassware
Paul Thek, “Warrior’s Leg,” 1966-67 Wax, metal, leather, and paint in artist’s vitrine
Marcel Duchamp, Torture-morte, 1959, Mouches collées sur plâtre peint, dans boîte en bois et verre, 29,5 x 13,4 x 10,3 cm, Paris, Centre Pompidou.
Urs Fischer, September Song, 2002, polysterene, glue, paint, wire, screw and marker, sculpture: 9 x 23 5/8 x 4in. (23 x 60 x 10cm.)
Tracey Emin, The Leg, 2004, Cprint and plaster cast, Vitrine: 11 ¼ x 35 13/16 x 12 13/16 in. (28.6 x 91 x 32.6 cm
Louise Bourgeois, ‘Cell III’, 1991, marble
Berlinde de Bruyckere, Amputeren zei je 2008 (wooden table, wax, blanket)
Sherrie Levine, 2 Shoes, 1992, brown leather shoes
Jannis Kounellis, Napoli, 1975, shoes, gold paint and paper in a glass and metal vitrine, 36 x 27 x 19in. (91.4 x 70.5 x 50.1cm.)
Sarah Lucas, 1 – 123 – 123 – 12 – 12 1991 Boots with razor blades, size seven Dimensions variable

Mathew Barney, Drawing Restraint 8: Condition, 2003
graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and Vivak
Damien Hirst, A Thousand Years, 19902075 x 4000 x 2150 mm | 81.7 x 157.5 x 84.7 in, Glass, steel, silicone rubber, painted MDF, Insect-O-Cutor, cow’s head, blood, flies, maggots, metal dishes, cotton wool, sugar and water, Vitrines