Matthew Barney
Field of the Ascending Faerie from Cremaster 4, detail 2002
Production photo © Matthew Barney; courtesy Barbara Gladstone Gallery
Tag: video art
Raw Material Washing Hands, Normal (A of A/B) Raw Material Washing Hands, Normal (B of A/B)
1996
Intra-Venus Series No. 11, December 11, 1992,, 1991-1992, Chromogenic supergloss print 4 panels, 30 × 40 in; 76.2 × 101.6 cm Edition of 3
and
Hannah Wilke
Intra-Venus Tapes, 1990-1993
Price on Request
Sophie Calle: “Souci” (2007), Biennalen i Venedig, 2007. Foto: Linda Petersen
Mona Hatoum (Beirut * 1952)
DEEP THROAT, 1996, Video installation with table, chair, tablecloth, glass, plates, cutlery, monitor and DVD player, Installation: 85 x 89 x 130 cm, duration of the film: 5:15 min, loop (object) Tablecloth 2 84 x 82 cm (object) Tablecloth 1 152 x 152 cm (object)
Gillian Wearing, British, b. 1963 Confess all on video. Don’t worry, you will be in disguise. Intrigued? Call Gillian, 1994 Single-channel color video with audio Collection Museum of Contemporary…
Sam Taylor Wood
Travesty of a Mockery,
The righteous attempts of a couple to outline their respective positions in an argument are mirrored in the dual screens of this installation. The changing channels of a radio places each stage of the argument to a different soundtrack, highlighting one of the major ways that emotion is manipulated by filmmakers.
Hannah Wilke
Intra-Venus Series (installation view)
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Intra-Venus Series No. 9, October 26, 1991
Tracey Emin, still images from “Emin and Emin in Cyprus”, 1996
Boltanski’s L’Homme qui tousse (1969)
“With his work L’Homme qui tousse (1969), Christian Boltanski (born in 1944, lives and works in Malakoff) turns the viewer into a voyeur, making him witness to a gruesome scene. Produced with limited means, the film presents a modestly dressed man sitting on the floor of a dilapidated room, his body wracked continuously as he coughs up blood that flows over his chest and legs.”
Little Bristling Soul 