Plainly, I loved the sentence as a unit: the beginning of a preoccupation with syntax. Those who love syntax less find in it the stultifying air of the academy: it is, after all, a language of rules, of order. Its opposite is music, that quality of language which is felt to persist in the absence of rule. One possible idea behind such preferences is the fantasy of the poet as renegade, as the lawless outsider. It seems to me that the idea of lawlessness is a romance, and romance is what I most struggle to be free of.

Louise Gluck, Proofs & Theories, 8