
my insides have felt wretched and ugly for much of the last few years, but somehow I still have a Rachel who writes love poetry like this for me.

my insides have felt wretched and ugly for much of the last few years, but somehow I still have a Rachel who writes love poetry like this for me.


rae and I will always be my one true pairing


In a 1970 letter to Brainard, James
Schuyler explains:
As soon as I got here I started to make you a trash book out of
an address book I had never used. I thought it would take about
an hour, but who would guess that an address book, such a
little itty bitty address book, could have so many pages? Or that
one’s trash runs out so soon? A trash book, in case you’re wondering,
is something like a scrap book, only, well, you put trash
in it. Which is not the same as garbage. That you put in boxes,
like a candy box, and call it a Garbage Box. Garbage Boxes are
not quite so nice as Trash Books. (Just the Thing 298)
For Linnea Blank
I suppose it doesn’t matter whether or not
it was those cheaply made,
with novice genius, gems called Aurora Borealis,
or if it was the real thing, retelling me, like you,
what it is to be so close to the sky,
aware of every turn of phase and drift,
what it is to be the sky,
spreading in gorgeous gasps
of cloud-cut color: Aurora Borealis.
But it does matter
because the natural pains
of forgiveness to someone
who deserves it or not
and harbouring hurt in yourself
for no result, make the difference,
though this is untrue,
for you wear your forgiveness
like gems across your chest
and this makes the difference.
I’ve been known to endlessly apologize,
mostly because I know I haven’t yet done it right.
I shirk responsibility,
perhaps making it worse or better with time,
though probably worse either way
if you shouldn’t forgive me. I am selfish,
this I know, and turn too far inwards
for it to be knowledge but rather
a kind of hiding from self and world,
though they are both beautiful.
I wouldn’t force your love
with any number
of rewritten geometries
minimizing nature
and you together on page,
but I am,
so that you can hold it in your hand,
something a bit more real,
a prettiness for you
so that you might see yourself reflected,
know what you mean to me:
the tips of those pine trees vibrating
in that color you found for me,
brought to me as a thing of love,
that you loved, a little too much
like the color of your widened eyes for me,
stock still photographed, a memory,
neither blue nor green
but a pinprick of something
that needs remembering.
Indescribable,
one would know though,
or maybe that you bolster
our shared belief in animalian understanding,
chirping to cats on the street
so that they remember pines,
a bird too strange too eat
sitting in branches of promised growth and love.
And your speech,
though I know you hate it,
it pierces me like those pine needles.
My first memory of you in those white shoes
and that ridiculous fur coat;
I was drawn to you out of curiosity
and I think, maybe, respected you more for it,
you, articulate and speckled with glints of beauty.
Damn them, I am more than just a beautiful body
but my body is beautiful and I will not reject it.
This is what I heard in you, comforted
that you were always ready to say something
and that I could just listen without the constant
dull pressure of poetical retort in presumed genius,
alleviated, but then, I did say something genius,
or so you told me. I believe you.
I suppose the conversation
couldn’t help but elicit it,
or inspire something in me
just naturally to come
from the clandestine me
that I am always hiding away.
This must be a part of my apology,
I suppose, one among many
future admonitions though
I don’t want you to think
I’m asking you to forgive me,
just believe me when I say
I do love you.
I suppose I hope that this
helps you to avoid harbouring
any pain I may have caused you,
me amongst burrowed forgetfulness
of the beauty of some pine trees.
—ray osborn
Andy Goldsworthy
Hogweed stalks floating on pond
Hampstead Heath, London
15 December 1985
Diary: 15th Dec Hampstead Heath
Overcast, breezy, dry. cold at one
period. Warm now. Collected Hogweed
stalks – white inside – took to pond –
made dark frame with nettle and
dark stalks – pinned Hogweed
split open into strips – inside upwards.
went to ring Art Angel – came back
work disrupted by a dog – remade.
Would have liked to have made it
much bigger but goes dark very
quickly. Not a bad work.


Ray Osborn, from Yellow

Ray Osborn, from Yellow