
Laments, by Jenny Holzer, published by Dia Art Foundation. Designed with Jill Korostoff.

Laments, by Jenny Holzer, published by Dia Art Foundation. Designed with Jill Korostoff.
For a woman, at the border, the sense that no one can comprehend the extent and intensity of her suffering is an understandable consequence of the sense of never having been known. She is saying to those around her, not ‘I want you to suffer as I have suffered,’ but “it is through my pain you shall know me.’
from Blood Math by Peggy Phelan and Adrian Heathfield
from The Pain Scale by Eula Biss


The Black Hole of Trauma by Bessel A. Van der Kolk: and Alexander C. McFarlane

Ariel Glucklich from Sacred Pain: Hurting the Body for the Sake of the Soul

Ariel Glucklich from Sacred Pain: Hurting the Body for the Sake of the Soul

Jenny Boully

Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.

The Female Malady: Women, Madness, and English Culture by Elaine Showalter