
Eleanor Antin
Carving: A Traditional Sculpture, 1972
148 gelatin silver prints 7 x 5″ each, self portraits of the artist losing 10 pounds over the course of 37 days along with explanatory text panel
31 ¼ x 204 inches installed

Eleanor Antin
Carving: A Traditional Sculpture, 1972
148 gelatin silver prints 7 x 5″ each, self portraits of the artist losing 10 pounds over the course of 37 days along with explanatory text panel
31 ¼ x 204 inches installed
Faith Wilding
Sacrifice 1971. Room-size installation at the Feminist Art Program studio in Fresno, CA. Cast life-size figure, cow guts and blood, dead bird, kotex, plastic flowers, candles. Participants were invited to light candles on the altar. Left to right: Installation view, detail of figure, detail of head.

Franko B, I Miss You, 2003
IRWIN, IRWIN Live, 1996/1998 exhibitions in Atlanta and Warsaw
IRWIN Live consists of paintings from the “Was ist Kunst” series installed on the ceiling with the Irwin members suspended below them so as to appear standing as spectators in front of their paintings.
After the opening the “live” members are replaced with replicas, wich remain in the gallery for the duration of the exhibition. (via)

Rebecca Horn – Cutting one’s hair with two pairs of scissors simultaneously, 1974

Gina Pane, Autoportraits