Ana Mendieta, super 8 film stills, c.1976-9
Tag: performance art

Ana Mendieta, Untitled (Gunpowder Work), 1981
Gina Pane, Laure (1977)

Tracey Emin, Exorcism of the Last Painting I Ever Made, 1996 (Detail)

Ana Mendieta

Marina Abramovic

MARINA ABRAMOVIC

Gina Pane, Action posthume de l’action Death control (1974), Collection

Gina PANE, Action II Caso no 2 sul ring [Action The Case n.2 on the ring], 1976, Each photo initialled and numbered in sequence with 20 preparatory drawings, 5 framed panels comprising twenty colour photographs with two paper sheets of handwritten text, unique, 1 panel 70 x 46 cm; 4 smaller panels 70 x 30 cm. Overall dimensions 70 x 180 cm

gina pane
death control

Gina Pane, Le corps pressenti: L’amour, 1975, Color photographs, ink on paper, plaster, razor blade, 33.00 cm x 22.00]
The Franco-Italian artist Gina Pane is one of the most important representatives of the French Art Corporel. She achieved notoriety through her spectacular, choreographed down to the smallest detail actions of the 1970s, in which she relentlessly used her body as a material. Each action was performed only once and archived through photographs, sketches and relics. The panels exhibited here as well as the floor object with a footprint belong to the action “Les corps pressenti”, “The divined bodies”, listed in 1975 in the Galerie Krinzinger in Innsbruck. The power and violence of these inscriptions symbolize the artist through self-wounding, which take up the Christian iconography of the martyrs. In addition to rose thorns as symbols of suffering,“The wound is a sign of the extreme fragility of the body, a sign of suffering, a sign that always shows the external situation of aggression, the violence we are exposed to. The wound is the memory of the body, it stores its fragility, its pain and thus its real existence. "With her actions, Pane wants to shake us out of our indifference. She turns directly to us when she says, "When I open my body so that you can see your blood in it, I do so out of love for you: for the love of others. (…) That’s why your presence in my actions is important to me. ”
Ana Mendieta, Body Tracks, 1974
