raveneuse:

Chris Burden, Through the Night Softly, Main Street, Los Angeles, California: September 12, 1973.

“He was every inch an artist, as tough and uncompromising as any I have ever met.”

– Larry Gagosian on Chris Burden

Chris Burden, the American sculptor and pioneering performance artist, has died from cancer at the age of 69, his art dealer, Larry Gagosian, has confirmed.

Read More

In 1973, Chris Burden purchased  ten-second clips late night commercial spots on a local television station in order to air his ironically-titled action Through the Night Softly. This piece consisted of Burden crawling and slithering across shards of glass in his underwear with his hands bound behind his back. This raw performance forced the audience into stark confrontation with the the pain  Burden felt as the field of broken glass shredded his bloodied torso. By offering this piece to viewers in the detached setting of their homes, Burden emphasized our increasingly desensitized reception of atrocities. Burden’s “ad” was proceeded by a Ronco record ad and followed—in an eerie juxtaposition—by a soap commercial in which man lathered his nude body. This piece suggests American alienation from social pain—indeed, his crawling posture evokes the pose of American soldiers in Vietnam (our first dramatically televised war), confronting the viewer with the ways in which we alternately disengage from the suffering of others and keep it at a remove through transforming it into an object of spectacle. 

Tracey Emin (b. 1963), Homage to Edvard Munch and All My Dead Children, original note: signed and dated ‘Tracey Emin 29/3/05’ (lower right), video: signed, titled, inscribed and dated ‘Homage to Edvard Munch and All My Dead Children (LOOP) 5/09/98 DUR 29’00" Beta SP/NTSC Tracey Emin’ (on the cover); signed ‘Tracey Emin’ (on a printed label affixed to the tape)
(i) inkjet print with filmstill and handwritten description of the project
(ii) Beta video tape with original drawing on the cover
(i) 8 1/8 x 11¾in. (20.6 x 29.8cm.) 

For the project “THREE STONES” (2004) Antti Laitinen dug a hole and collected the stones he found after seven minutes of digging, seven hours and seven days. For “WALK THE LINE” (2005-ongoing) the artist printed his portrait on various maps and then walked along the lines of his face. The GPS system he carries along the way records his journey, drawing the path he walked. Laitinen performed this project in Helsinki, Kuopio, Jyväskylä, Luukkaa and Oulunkylä Forests (Finland), Kielder Forest, Newcastle, Pontburn Woods (UK), Warsaw, Krakow (Poland) and Athens (Greece) and Madrid (Spain). 

installationarts:

Cornelia Parker

The Maybe

1995

Installation at the Serpentine Gallery, London

In this installation, Tilda Swinton played the toughest role in a career devoted to challenging ones: herself asleep or apparently so. For seven consecutive days, eight hours a day, she lay motionless, eyes closed, in a raised, glass casket – a contemporary Sleeping Beauty in jeans and deck shoes, subject to intense scrutiny and speculation.