Paul McCarthy (AMERICAN, 1945)
Bow Bridges I & II (From Sailor’s Meat) , 1975 – 1992
Tag: performance art
Carolee Schneemann, Meat Joy, 1964 | DONNE NELL’ARTE
Boltanski’s L’Homme qui tousse (1969)
“With his work L’Homme qui tousse (1969), Christian Boltanski (born in 1944, lives and works in Malakoff) turns the viewer into a voyeur, making him witness to a gruesome scene. Produced with limited means, the film presents a modestly dressed man sitting on the floor of a dilapidated room, his body wracked continuously as he coughs up blood that flows over his chest and legs.”
Ana Mendieta, American, b. Cuba, 1948–1985
Untitled from the Silueta series, 1973–77
Silver dye-bleach print
Sheet for parts 1, 6, 9, 10: 15 7/8 × 19 7/8 in. (40.3 × 50.5 cm); sheet for parts 2, 3, 4, 5, 7, 8, 11, 12: 19 7/8 × 15 7/8 in. (50.5 × 40.3 cm)
Collection Museum of Contemporary Art Chicago, Gift from The Howard and Donna Stone Collection, 2002.46.6
Photo: Nathan Keay, © MCA Chicago
Michel Journiac, The Virgin Mother, 1982
Tracey Emin, “Sometimes the dress is worth more money than the money”, 2000
Adam Patterson, Regurgitate (Performance Documentation), Barbados, 2016. Photographed by Logan C Thomas.
gina pane
Ana Mendieta, Silueta series, 1978, c print
Little Bristling Soul 