
Felix González-Torres
“Untitled” (Cold Blue Snow)
1991
c-print jigsaw puzzle in plastic bag
24 by 19cm.; 9 ½ by 7 ½ in.

Felix González-Torres
“Untitled” (Cold Blue Snow)
1991
c-print jigsaw puzzle in plastic bag
24 by 19cm.; 9 ½ by 7 ½ in.

Anna Maria Maiolino, Na Horizontal [On the Horizontal], 2014, metal base with raku ceramic and shielded copper wire, 20 × 120 cm, Courtesy the artist and Galleria Raffaella Cortese, Milano

Robert Smithson, Mirrors and Shelly Sand, 1969/ 1970, Fifty 12 inch x 48 inch mirrors, back to back, beach sand with shells or pebbles, 28 feet long approx.

Felix Gonzalez-Torres, “Untitled” (Lover Boys), 1991. Candies individually wrapped in silver cellophane, endless supply. Ideal weight: 355lbs. Installation view at the MAC, Belfast.

Rachel Whiteread, Water Tower, 1998
“Commissioned by the Public Art Fund and originally installed in 1998 on a rooftop in the Soho neighborhood of New York, Water Tower is Whiteread’s first public sculpture to be conceived and displayed in the United States. The British artist scoured the city in search of a quintessentially New York subject. Looking across the East River to Manhattan during a visit to Brooklyn, she admired the water towers perched high above the streets and was drawn to their uniqueness and their ubiquity in the architectural cityscape.
Whiteread is known for her castings in resin and plaster of familiar objects and the spaces they surround, such as the interiors of a bathtub and a row house in London’s East End, and for her ability to make people see these objects and spaces anew. Water Tower is a resin cast of the interior of a once-functioning cedar water tower, chosen specifically for the texture this type of wood would impart to the surface. The translucent resin captures the qualities of the surrounding sky; the sculpture’s color and brightness change throughout the day and it becomes a near-invisible whisper at night. Whiteread has called this work “a jewel on the skyline of Manhattan.” Soaring and ephemeral, it inspires city–dwellers and visitors alike to look again at the solid, weighty water towers they usually see without noticing”
—MoMA
FELIX GONZALEZ-TORRES | UNTITLED (LOVERBOY), UNTITLED (MARCH 5TH) #1

Rachel Whiteread
Library Drawing, 1996
Gouache and ink on paper
39 ¾ x 26 3/8 inches
(101 x 67 cm)

Felix Gonzalez-Torres, “Untitled” (Loverboy), 1989. Blue fabric and hanging device, dimensions vary with installation. View of Felix Gonzalez-Torres: This Place, Metropolitan Arts Centre, Belfast, Northern Ireland, 2015–16. © The Felix Gonzalez-Torres Foundation. Courtesy Andrea Rosen Gallery, New York.
Roni Horn. Water Teller, No.1, 2, 3, 4, 5, 6, 7, 8 2014. Digital-to-negative print on Fujiflex. 74,93×49,53cm. Courtesy the artist and Galleria Raffaella Cortese, Milano
RACHEL WHITEREAD
STEP, 2007–2008
Plaster, pigment, resin, wood, and metal
vs.
FRANCESCO ARENA
TRIPLE STEP, 2016
Bronze

Wolfgang Laib: Ziggurat, 1999, construction of wax and wood, Photo: Wolfgang