Images: Georgia O’Keeffe. Cannas 1919; Louise Bourgeois, Extreme Tension; Felix Gonzalez-Torres, Untitled (Orpheus, Twice). 1991.
Text: Margaret Atwood
Images: Georgia O’Keeffe. Cannas 1919; Louise Bourgeois, Extreme Tension; Felix Gonzalez-Torres, Untitled (Orpheus, Twice). 1991.
Text: Margaret Atwood

Felix Gonzalez-Torres, Untitled, 1995, Patrick Painter Editions

Photos:
Gina Pane
1939, Biarritz (Pyrénées-Atlantiques) – 1990, Paris (Paris)
Action Psyché 74
1974
Text: My deeply talented friend, the lovely Anna Blackburn
“Love and hate are side-by-side surprises, are
they not.”
Peggy Phalan and Adrian Heathfield from “Blood Math”

Simone Weil says that when you really love you are able to
look at someone you want to eat and not eat them.
Wilderness
by Lorine NiedeckerYou are the man
You are my other country
and I find it hard goingYou are the prickly pear
You are the sudden violent stormthe torrent to raise the river
to float the wounded doe

jenny boully from the body: an essay
I bounce around from everything from hip hop to recordings of 1930′s prison work songs to shitty pop to country to music made out of office supplies, so I suck at answering these kind of questions. I will, however, link you to a frenzied summer crush mania mix cd I made this evening… for what it’s worth.

Even after we stopped seeing each other, I thought of her with great fondness. Memories of her encouraged me, soothed me, as I passed through the confusion and pain of adolescence. For a long time, she held a special place in my heart. I kept this special place just for her, like a “Reserved” sign on a quiet corner table in a restaurant. Despite the fact that I was sure I’d never see her again.