
Damien Hirst, Love Lasts Forever, 1997

Damien Hirst, Love Lasts Forever, 1997
Mount Eerie: “Distortion”

Tracey Emin, I Think I Love You, 2010, neon
Louise Bourgeois, The Eternal Thread Is You, 2003, fabric, thread, glass and stainless steel
The shadows behind people walking
in the bright piazza are not merely
gaps in the sunlight. Just as goodness
is not the absence of badness.
Goodness is a triumph. And so it is
with love. Love is not the part
we are born with that flowers
a little and then wanes as we
grow up. We cobble love together
from this and those of our machinery
until there is suddenly an apparition
that never existed before. There it is,
unaccountable. The woman and our
desire are somehow turned into
brandy by Athena’s tiny owl filling
the darkness around an old villa
on the mountain with its plaintive
mewing. As a man might be
turned into someone else while
living kind of happy up there
with the lady’s gentle dying.
–Jack Gilbert

Tracey Emin.
Love me-me-me.
1997.
If a man is not willing to break patriarchal rules that say that he should never change—especially to satisfy someone else, particularly a female—then he will choose being right over being loved. He will turn away from loved ones and choose his manhood over his personhood, isolation over connectedness.
That is what the Odyssey means.
Love can leave you nowhere in New Mexico
raising peacocks for the rest of your life.
The seriously happy heart is a problem.
No the easy excitement, but summer
in the Mediterranean mixed with
the rain and bitter cold of February
on the Riviera, everything on fire
in the violent winds. The pregnant heart
is drive to hopes that are the wrong
size for this world. Love is always
disturbing in the heavenly kingdom.
Eden cannot manage so much ambition.
The kids ran from all over the piazza
yelling and pointing and jeering
at the young Saint Chrysostom
standing dazed in the church doorway
with the shining around his mouth
where the Madonna had kissed him.

–Anne Carson, Men in the Off Hours
“Sumptuous destitution”
is a phrase
scholars use
of female
silence.
Save what you can, Emily.
Save every bit of thread.
One of them may be
the way out of here.