Photograph of a male hysteric in the arc-de-cercle pose from the Bibliothèque Charcot, Paris, illustrated in Christopher G. Goetz, Michel Bonduelle and Toby Gelfand, Charcot: Constructing Neurology , Oxford, 1996, 204, figure 6-6b. 

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Auguste Rodin, Kneeling Man (Hommeà genoux). Glass plate,dimensions unknown. Paris:Musée Rodin 

1) Emmy Hyche, “Corpse Logic” 

2) Tiqqun, Preliminary Materials for a Theory of the Young-Girl 

3) Magda Romanska, “NecroOphelia: Death, femininity and the making of modern aesthetics”

5) Joshua Foer, “A Minor History of Useful Corpses”

6) Alice Notley, “Bobby (First Visit Back to the States”, Mysteries of Small Houses

7) Claudia Rankine, Citizen

8) Kathy Acker, “The Following Myth of Romantic Suffering Has to be Done Away With”

9) Claudia Rankine | Don’t Let Me Be Lonely

10) Rebecca Solnit, “A Rape a Minute, A Thousand Corpses a Year: Hate crimes in America—and elsewhere—add up to the world’s longest war”

Paul Thek, “Warrior’s Leg,” 1966-67 Wax, metal, leather, and paint in artist’s vitrine

Marcel Duchamp, Torture-morte, 1959, Mouches collées sur plâtre peint, dans boîte en bois et verre, 29,5 x 13,4 x 10,3 cm, Paris, Centre Pompidou.

Louise Bourgeois, J’y suis j’y reste, 1990, Pink marble, glass & metal, 88.9 x 102.9 x 78.7 centimeters

Urs Fischer, September Song, 2002, polysterene, glue, paint, wire, screw and marker, sculpture: 9 x 23 5/8 x 4in. (23 x 60 x 10cm.)

Tracey Emin, The Leg, 2004, Cprint and plaster cast, Vitrine: 11 ¼ x 35 13/16 x 12 13/16 in. (28.6 x 91 x 32.6 cm

Louise Bourgeois, ‘Cell III’, 1991, marble

Berlinde de Bruyckere, Amputeren zei je 2008 (wooden table, wax, blanket)

Sherrie Levine, 2 Shoes, 1992, brown leather shoes

Jannis KounellisNapoli, 1975, shoes, gold paint and paper in a glass and metal vitrine, 36 x 27 x 19in. (91.4 x 70.5 x 50.1cm.)

Sarah Lucas, 1 – 123 – 123 – 12 – 12 1991 Boots with razor blades, size seven Dimensions variable

Jenny HOLZER, ALL THINGS ARE DELICATELY INTERCONNECTED, 2015, Grey granite stone engraved with text. , Selection from Truisms, 1977-7928 x 33 x 25 cm (11.02 x 12.99 x 9.84 in)

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Gillian Wearing, Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say, 1992–3