Geneviève Cadieux, Chimère,
Geneviève Cadieux, Blues, 1992
Geneviève Cadieux, Chimère,
Geneviève Cadieux, Blues, 1992
Chase Berggrun | R E D
Agamemnon by Aeschylus | Translated by Sarah Ruden | The Greek Plays
Margaret Atwood, The Penelopiad
vs
Ai

Geneviève Cadieux, Circles of Sorrow, 1995, chromogenic print, 2/2, 90.5 x 136 cm
Hannah Wilke, Five Androgynous and Vaginal Sculptures, 1960-1966, terracotta, various sizes. Alison Jacques Gallery, London.
Agnes Dumouchel, Seven Bowls with Human Body Orifices, 1994

Anonymous, Venus Esquilina, c. 50 d.C, Marmol.
Anonymous, Portrait of a Woman, c. 1480
Hannah Wilke, Intra-Venus series

Auguste Rodin, DamnedWoman (Woman Lying on he rBack), c. 1884. Bronze, 20.3× 39.4× 26 cm.
vs Paul Richer, ‘Phase tonique.Grands mouvementstoniques’, from Paul Richer,Études Cliniques sur l’Hystéro-Épilepsie ou Grande Hystérie, Paris, 1881, 53, fig. 19. Photo: Wellcome Library, London
Virginia Woolf, To the Lighthouse
Carrie Lorig, The Book of Repulsive Women
Kate Zambreno, Heroines
Sylvia Plath, “Daddy”
Anne Carson, The Beauty of The Husband
Alice Notley, The Descent of Alette
Virginia Woolf, A Room of One’s Own
Suzanne Scalon, Her 37th Year an Index

Cindy Sherman, Untitled #250, 1992
vs
Hans Bellmer, Untitled, 1946

Nan Goldin
Scopophilia
2010
Single channel high-definition video projection (25 minutes, stereo)
Dimensions variable