
Rebecca Horn
The Peacock Machine from La Ferdinanda – Sonata for a Medici mansion, 1981; 35 mm, 85 min

Rebecca Horn
The Peacock Machine from La Ferdinanda – Sonata for a Medici mansion, 1981; 35 mm, 85 min

Doris Salcedo; Shibboleth; Tate Modern; 2008
“ A ‘shibboleth’ is a custom, phrase or use of language that acts as a test of belonging to a particular social group or class. By definition, it is used to exclude those deemed unsuitable to join this group.‘The history of racism’, Salcedo writes, ‘runs parallel to the history of modernity, and is its untold dark side’. For hundreds of years, Western ideas of progress and prosperity have been underpinned by colonial exploitation and the withdrawal of basic rights from others. Our own time, Salcedo is keen to remind us, remains defined by the existence of a huge socially excluded underclass, in Western as well as post-colonial societies.In breaking open the floor of the museum, Salcedo is exposing a fracture in modernity itself. Her work encourages us to confront uncomfortable truths about our history and about ourselves with absolute candidness, and without self-deception.“
–Tate Modern

Cornelia Parker, Anti-Mass, 2005

Nan Goldin, The Ballad of Sexual Dependency at MoMA

Louise Bourgeois The Reticent Child exhibition October 21 – December 31, 2004
Venice: Sarah Lucas at The British Pavilion (Contemporary Art Daily)

Chiharu Shiota @ Daniel Templon Gallery (Paris)

louise bourgeois

Sophie Calle, Pas Pu Saisir la Mort (Couldn’t Catch Death), 2007, installation view, Palais de Tokyo