
Cixous’ Bed: Ink and Blood.
A true solitude is not unbearable since it allows for otherness.
Helene Cixous, Preface to Stream of Life (Read here)
Writing is precisely working (in) the in-between, inspecting the process of the same and of the other…not fixed in sequences of struggle and expulsion…but infinitely dynamized by an incessent process of exchange from one subject to another… a multiple and inexhaustible course with millions of encounters and transformations of the same into the other and into the in-between, from which woman takes her forms (and man, in his turn)

Three Steps on the Ladder of Writing by Hélène Cixous
I am the finite that wants its infinite. Love infinites me.
Hélène Cixous, Poetry in painting: writings on contemporary arts and aesthetics

Hélène Cixous, from Poetry in painting: writings on contemporary arts and aesthetics
But there should be no misunderstanding: men and women are caught up in a network of millennial cultural determinations of a complexity that is practically unanalyzable: we can no more talk about ‘woman’ than about ‘man’ without getting caught up in an ideological theatre
Luce Irigaray—This Sex Which is Not One
Luce Irigaray—”When Our Lips Speak Together”
Carolyn Knapp–APPETITES: Why Women Want
Jade Sharma–Problems
Maggie Nelson—Bluets
Katherine Angel—Unmastered: A Book on Desire, Most Difficult to Tell
Helene Cixous–The Laugh of the Medusa
Charlotte Shane—”When Desire Goes Dark”
Jess Zimmerman—”Hunger Makes Me”
Kathy Acker–”-Desire: A Play in Two Parts”
Kathy Acker—Blood and Guts in High School
Dodie Bellamy–Cunt-Ups
Dodie Bellamy–The Letters of Mina Harker
Karen Volkman—Spar
Lucie Brock-Broido—Master Letters
Maurice Pialat—A Nos Amours