
Ana Mendieta
Colour photograph documenting earth / body work with tree and flowers, Iowa, from the series
Silueta works in Iowa and Oaxaca Mexico
1976-1978
printed 1991

Ana Mendieta
Colour photograph documenting earth / body work with tree and flowers, Iowa, from the series
Silueta works in Iowa and Oaxaca Mexico
1976-1978
printed 1991

Ana Mendieta, Untitled (Silueta Series), 1979
vs.
Joan Jonas, Mirror Piece I, performance, 1969

Tomas Sanchez, Relacion,1986

SARAH LUCAS
Laugh?
1998
R-print.
28 7/8 x 19 7/8 in. (73.3 x 50.5 cm).
Barbara Gladstone Gallery

RINEKE DIJKSTRA
Tiergarten, Berlin, Germany, June 27, 1999
1999
C-print flush mounted to aluminum.
53 ¾ x 42 ¾ in. (136.5 x 108.6 cm).
This work is from an edition of 10.

MARK INNERST, Broken Column, 1985-1988
Acrylic on composite panel in artist’s wooden frame.
16 3/8 x 13 in. (41.6 x 33 cm).
Curt Marcus Gallery

Dorit Margreiter, Monument of Modernity, 2002
Dorit Margreiter made reference to the “Reichsautobahn”, known as the economic prestige project of the National Socialists, and poses the question of what the monuments of modernity are. The artist installed a hunter’s high, from which the surviving foundations of the route of the former highway could be seen. With a high-mounted poster “Monument for a film about a monument”, she referred to Hartmut Bitomsky’s film “Reichsautobahn” from 1986 and documented text and image extracts from this.

CAMILLE HENROT
Overlapping figures
2011
Bronze, plaster and wood
39 x 53 x 51 cm
© Camille Henrot
Photo. Alexandra Serrano
Courtesy the artist and Kamel Mennour, Paris

Ana Mendieta, Burial Pyramid