Sexual difference is the site where a question concerning the relation of the biological to the cultural is posed and reposed, where it must and can be posed, but where it cannot, strictly speaking, be answered. Understood as a border concept, sexual difference has psychic, somatic, and social dimensions that are never quite collapsible into one another but are not for that reason ultimately distinct. Does sexual difference vacillate there, as a vacillating border, demanding a rearticulation of those terms without any sense of finality? Is it, therefore, not a thing, not a fact, not a presupposition but rather a demand for rearticulation that never quite vanishes – but also never quite appears?

Judith Butler, from Undoing Gender

Feminist accountability requires a knowledge tuned to resonance, not to dichotomy. Gender is a field of structured and structuring difference, where the tones of extreme localization, of the intimately personal and individualized body, vibrate in the same field with global high tension emissions. Feminist embodiment, then, is not about fixed location in a reified body, female or otherwise, but about nodes in fields, inflections in orientations,and responsibility for difference in material-semiotic fields of meaning.

“The Science Question in Feminism and the Privilege of Partial Perspective” by Donna J. Haraway (full text here)

*

To understand gender as a historical category … is to accept that gender, understood as one way of culturally configuring the body, is open to a continual remaking, and that ‘anatomy’ and ‘sex’ are not without cultural framing. […] Terms such as ‘masculine’ and ‘feminine’ are notoriously changeable; there are social histories for each term; their meanings change radically depending upon geopolitical boundaries and cultural constraints on who is imagining whom, and for what purpose.

Judith Butler, Undoing Gender (9-10)

are there any texts or films you would recommend exploring the theme of women’s desire?

Luce Irigaray—This Sex Which is Not One

Luce Irigaray—”When Our Lips Speak Together”

Carolyn Knapp–APPETITES: Why Women Want

Jade Sharma–Problems 

Chris Kraus—I Love Dick 

Anne Carson–”The Glass Essay”

Maggie Nelson—Bluets

Katherine Angel—Unmastered: A Book on Desire, Most Difficult to Tell

Kate Chopin—The Awakening 

Helene Cixous–The Laugh of the Medusa 

Anne Carson—Decreation

Charlotte Shane—”When Desire Goes Dark”

Jess Zimmerman—”Hunger Makes Me”

Kathy Acker–”-Desire: A Play in Two Parts”

Kathy Acker—Blood and Guts in High School 

Dodie Bellamy–Cunt-Ups

Dodie Bellamy–The Letters of Mina Harker

Karen Volkman—Spar

Lucie Brock-Broido—Master Letters

Maurice Pialat—A Nos Amours