
Paul Klee, Botanical Garden, Palmate Plants, 1946

Brassaï, Self-Portrait nd
From the Burt Britton Collection: Portrait of the Artist [Burt Britton asked the famous and the not-yet-famous he encountered to pick up a pen and draw themselves.]
via bloomsburry

CY TWOMBLY
Peonies, 1980 (Bassano in Teverina)
Color dry-print
Unframed: 15 7/8 x 11 inches (40.3 x 27.9 cm)
Ed. 1/6

DOROTHEA TANNING
HOME AT LAST, 1972
Cardboard box, paper, plastic and dried flower on board
Perspex box frame: 43.2 x 55.2 x 12.7 cm / 17 x 21 ¾ x 5 in.
Helene Cixous, Preface to Stream of Life (Read here)

Dorothea Tanning, Sketch for Convolotus alchemelia (Quiet-willow window) (1 of 2), 1998, Alison Jacques Gallery

HANNAH WILKE
SINGLE ORANGE PARADE (IRIS), 1973
watercolour on paper
76.2 x 55.9 cms / 30 x 22 ins paper size
Hannah Wilke Collection & Archive, Los Angeles. © Marsie, Emanuelle, Damon, and Andrew Scharlatt/VAGA, New York/DACS, London.

Installation view: A Change of Heart, curated by Chris Sharp

Gina Pane, Azione Sentimentale, Galleria Diagramma, Milan (1973).

Taryn Simon
An arrangement of carnations symbolise the 1968 Bratislava Declaration, where representatives from the Bulgarian Communist Party, Hungarian Socialist Workers’ Party, Socialist Unity Party of Germany, Polish United Workers’ Party, Communist Party of the Soviet Union, and the Communist Party of Czechoslovakia reaffirmed their commitment to Marxism-Leninism. The piece is in black and white to reflect the black and white nature of the source material. Pictured: Bratislava Declaration, Bratislava, Slovakia, August 3, 1968
Read more at https://www.wallpaper.com/art/photographer-taryn-simon-comments-on-politics-and-global-wealth-in-new-work-at-gagosian-gallery-in-new-york#RKwXLxK6Bxlgj7ki.99

Taryn Simon
Agreement to conduct impact studies of the Grand Ethiopian Renaissance Dam on neighboring countries, Khartoum, Sudan, August 26, 2014. Gerbera x hybrida, Gerbera, Netherlands, Gerbera x hybrida, Gerbera, Netherlands, Rosa x hybrida, Hybrid Tea Rose, Ethiopia, Gerbera x hybrida, Gerbera, Netherlands, Gerbera x hybrida, Gerbera, Netherlands, Gerbera x hybrida, Gerbera, Netherlands
“In Paperwork and the Will of Capital, Simon examines accords, treaties, and decrees drafted to influence systems of governance and economics, from nuclear armament to oil deals and diamond trading. All involve the countries present at the 1944 United Nations Monetary and Financial Conference in Bretton Woods, New Hampshire, which addressed the globalization of economics after World War II, leading to the establishment of the International Monetary Fund (IMF) and the World Bank. In images of the signings of these documents, powerful men flank floral centerpieces designed to underscore the importance of the parties present. Simon’s photographs of the recreated centerpieces from these signings, together with their stories, underscore how the stagecraft of political and economic power is created, performed, marketed, and maintained.Each of Simon’s recreations of these floral arrangements represents an “impossible bouquet”—a concept that emerged in Dutch still-life painting parallel to the country’s seventeenth-century economic boom, which ushered in the development of modern capitalism. Then, the impossible bouquet was an artificial fantasy of flowers that could never bloom naturally in the same season and geographic location. Now the fantasy is made possible—both in the original signings and in Simon’s photographs—by the global consumer market.”
—Gagosian Gallery