MATTHEW BARNEY, A Pele da Lamina, 2004 C-print in the artist’s high-density polyethylene frame. 28 ¾ x 19 ½ x 2 ½ in. (73 x 49.5 x 6.4 cm). Signed and dated “Matthew Barney 04” on the reverse. This work is from an edition of 50 plus 10 artist’s proofs.
GILLIAN SZE
Wang Yabin (Chinese, b. 1974), Wild Flowers, 2016. Mixed media on canvas, 60 x 73 cm.
Ray Osborn, from Woad
Nobuyoshi Araki, Untitled (Banquet Series), 1992, cibachrome, photo: Raimund Koch
Roni Horn, White Dickinson THAT A PANSY IS TRANSITIVE, IS ITS ONLY PANG, 2006, Aluminum and solid cast White plastic, 5 x 5 x 206.3 cm
Unknown
Louise Bourgeois, Topiary, 1998, Fabric and steel, overall: 19 ½ x 20 x 11" (49.5 x 50.8 x 27.9 cm), The Easton Foundation/Licensed by VAGA, NY
Louise Gluck from The Wild Iris
Louise Bourgeois, Eugénie Grandet, (détail) 2009, Suite of 16 cloth panels, with aquatint, drypoint, digital print, and mixed media
Elemental Passions by Luce Irigaray
Louise Gluck | The Wild Iris
John La Farge, The Strange Thing Little Kiosai Saw in the River, 1985-1910, watercolour
John Galliano F/W 1987-88
Anne Carson | “The Albertine Workout”
Unknown
Alice Notley | Negativity’s Kiss
Alice Notley | Doctor Williams’ Heiresses
Nobuyoshi Araki, From Bondage series (1980 – 1989)
Ghérasim Luca | Self-Shadowing Prey
Jennifer Chang
Little Bristling Soul 