
Tag: dreamscapes

Installation view of Roni Horn’s Gold Field (1992) and Felix Gonzalez-Torres’ Untitled (1991)
Kathy Acker, Empire of the Senseless
vs
Hannah Wilke, Hello Boys, 1975, (still), video (black and white, sound), 12’ © Scharlatt © VAGA, New York, 2016 © ADAGP Paris
The End by Emily Berry
I believed death was a flat plain spectacular endlessly
Can you distort my voice when I say this?
My scared ghost peeling off me
Distortion, she says, as if she has just made it up
And then she is quoting a line from a poem
Or is it a whole poem, I wish I could remember
My voice opens and calls you in
I don’t know if you can hear me
I said, I carry inside me the trace of a threat that I cannot discharge
I said, I want to ask you things you can’t ask a person who doesn’t exist
She said, Why can’t you ask them
If we can’t have everything what is the closest amount to everything we can have?
She said, Why can’t you have everything
Well, you know, when you’re looking for a person, sometimes they appear
And a light goes on and off in the opposite window, twice
Yes, you say, that was a sign
Strange love for the living, strange love for the dead
Listen. I don’t know who you are but you remind me of —
I wish you would put some kind of distortion on my voice, I tell her
So people don’t know it’s me
They know what they know, she said
I told a story about my shame
It got cold when the air touched it
Then it got hot, throbbed, wept, attracted fragments with which it eventually glittered
Till I couldn’t stop looking at it
Exactly, she says
And then she is quoting a line from a poem, I don’t know which one
In my dream she reached out to touch me as if to say, It’s all right
How I began to believe in something
Are you there?
The wind called to the trees
And then it happened
And they said, How do you feel?
And I said, Like a fountain
Night falls from my neck like silver arrows
Very gently

Gianni Caravaggio – Finalmente solo / enfin seul
Installation view, Musée d’art Moderne et Contemporain de Saint-Etienne Métropole, Saint-Etienne, 2014

Invitation
I said welcome. & you
entered. before entering
the cliff cave.
Subliminal messages
will be played underneath
the music.
I wrote this scene to be
played by two scientists
discovering poison dart
frogs. You know, for the
first time. Skip ahead, the
frogs are forming a complicated
send off to the troops.
I am righting a wrongI am ghost hunting
with a small dog that
has died of you.
I have put
yellow tape around
Farmer’s Pond, in memoryof Farmer’s Pond.
You said let’s dual
and I laughed butyou were facing me
and onlookers materialized

Gianni Caravaggio – Lo stupore è nuovo ogni giorno
Paper, baby powder, aluminium, 35 x 96 x 68 cm, 2008
Installation view, Nuovo Spazio di Casso, Casso, 2017



