
Gina Pane, Action Laure, 1977

Gina Pane, Action Laure, 1977
Cool for You: A Novel by Eileen Myles
gina pane

Gina Pane
Georges Bataille from Visions of Excess (full text here)

Gina Pane, Action mélancolique 2 x 2 x 2 , 8 October 1974. Documentation of the action carried out at Studio Morra, Naples. Photo Françoise Masson. Private collection, Paris, France

Mike Parr – CLOSE THE CONCENTRATION CAMPS
A man sits slumped in a chair; he wears a black suit, white shirt and no tie. His right trouser leg is ripped across the thigh revealing the word ‘alien’ branded into his skin. This is a six-hour endurance piece. During this time his lips, eyes and ears are sewn together, rough surgical sutures cross his face, blood and iodine solution run from the wounds onto his white shirt. The man can’t speak; his vision is impaired. Before him a huge mirror reflects the viewers, mostly standing back against the clean white walls, secondary witnesses to the trauma enacted on the artist’s body.
The text along one wall incites us to ‘CLOSE THE CONCENTRATION CAMPS’. In a separate room excerpts from Not the Hilton: Immigration Detention Centres: Inspection Report, published in 2000, are projected onto the walls. Parr’s action is an empathetic gesture, in recognition of the trauma experienced by ‘illegal’ immigrants who were, at the time, sewing their lips shut as a protest against their prolonged incarceration.
Mike Parr consistently uses his body as a site for radical actions that explore the psychopathology of people and society. Staged almost a decade ago, this powerful work still resonates politically and speaks to the nation’s shame.
—Anne Marsh

Gina Pane, Azione Sentimentale, Galleria Diagramma, Milan (1973).

Marina Abramovic, Rhythm 10, 1973-1997
Chris Burden, Velvet Water, 1974
In this performance the artist repeatedly inhaled water and broadcast his self-torture to a remote audience.

Gina Pane, Nourriture-actualités télévisées-feu (1971; repr. Pluchart 1971).
Pane force-fed herself and spat back up 600 grammes of raw ground meat, watched the nightly news on television as she stared past a nearly blinding light bulb, and extinguished flames with her bare hands and feet. After the performance, she said, people reported a heightened sensitivity. “Everyone there remarked: ‘It’s strange, we never felt or heard the news before. There’s actually a war going on in Vietnam, unemployment everywhere.’” (Stephano 1973, p. 22)[4]
gina pane (b. 1939, d. 1990)
orgastic expulsion of intra space