
Kiki Smith, Sainte Geneviève And The Deer, 1999. Fired paint on glass panels. 2 parts, H 54 ¼, W 48in / H 89, W 46 ¾ in. Courtesy: Alexander Tutsek-Stiftung.

Kiki Smith, Sainte Geneviève And The Deer, 1999. Fired paint on glass panels. 2 parts, H 54 ¼, W 48in / H 89, W 46 ¾ in. Courtesy: Alexander Tutsek-Stiftung.

Traveling through the dark I found a deer
dead on the edge of the Wilson River road.
It is usually best to roll them into the canyon:
that road is narrow; to swerve might make more dead.By glow of the tail-light I stumbled back of the car
and stood by the heap, a doe, a recent killing;
she had stiffened already, almost cold.
I dragged her off; she was large in the belly.My fingers touching her side brought me the reason—
her side was warm; her fawn lay there waiting,
alive, still, never to be born.
Beside that mountain road I hesitated.The car aimed ahead its lowered parking lights;
under the hood purred the steady engine.
I stood in the glare of the warm exhaust turning red;
around our group I could hear the wilderness listen.I thought hard for us all—my only swerving—,
then pushed her over the edge into the river.


Kiki Smith at Lumber Room
