
nan goldin

nan goldin
Sleeping together comes down to sharing an inertia, an equal force that maintains the two bodies together, drifting like two narrow boats moving off to the same open sea, toward the same horizon always concealed afresh in mists whose indistinctness does not let dawn be distinguished from dusk, or sunset from sunrise.

nan goldin

Louise Bourgeois, Couple IV, 1997
Bourgeis—The prosthesis represents “the instability of the emotions, the wound or the lack”

Slaven Tolj et Maria Grazio “Food for
Survival” Performance (photo documentation) | Helsinki, 1993
via racinenova.tumblr
At the time, Sarajevo, Slaven’s former city, was under siege, just as Dubrovnik had been a few short years earlier. During that time, aid would be dropped on those cities in the form of dehydrated food products that could be made into a soup by adding water; the packet read “food for survival.” The two artists mixed the soup and covered their bodies with it, eating it off of one another. The two combine an act of desperation (consuming to survive) with an act of love, and the stark contrast between the two highlights the struggle for survival that the food embodies or represents.

Costantino Nivola : Lettino vuoto (Empty bed)
vs
Nan Goldin
Empty beds, Lexington, Massachusetts
1979
Silver-dye bleach print, 65.4 x 97.8 cm

nan goldin