
1660-65, Sísifo, Antonio Zanchi

1660-65, Sísifo, Antonio Zanchi

Nancy Spero, Artemis, Acrobats

Hercules Fighting with the Nemean Lion, 1634, Francisco de Zurbaran
Size: 166×151 cm
Medium: oil, canvas
Alice Notley | Songs for the Unborn Second Baby
Medea | Seneca: Six Tragedies | Translated with an Introduction and Notes by Emily Wilson
Alice Notley | Songs for the Unborn Second Baby
All at once a self never known before, which now strikes you as the true one, is coming into focus. A gust of godlikeness may pass through you and for an instant a great many things look knowable, possible, and present. Then the edge asserts itself. You are not god. You are not that enlarged self. Indeed, you are not even a whole self, as you now see. Your new knowledge of possibilities is also a knowledge of what is lacking in the actual.
Now it is because you approached the All and did not remain in a part of it, and you did not even say of yourself `I am just so much,’ but by rejecting the `so much’ you have become all. You will increase yourself then by rejecting all else, and the All will be present to you in your rejection.
“If only Apollo,
Prince of the lyric, had put
in our hearts the invention
Of music and songs for the lyre
Wouldn’t I then have raised
up a feminine paean
To answer the epic of men?”
—Euripides, Medea