
Kiki Smith, Visitation I

Kiki Smith, Visitation I

Maskull Lasserre, Murder, burned wood (including maple, oak, ash, cedar, basswood)

Felix Gonzalez-Torres, Untitled (Passport #11)
Because you asked about the line between prose and poetry
Sparrows were feeding in a freezing drizzle
That while you watched turned into pieces of snow
Riding a gradient invisible
From silver aslant to random, white, and slow.There came a moment that you couldn’t tell.
And then they clearly flew instead of fell.

Nan Goldin, My White Birds, Sag Harbour, N.Y, 2001

HEAD MOVEMENTS OF A SIX-NOTE COO CALL
Martha Whitson, “Courtship Behavior of the Greater Roadrunner,” inThe Living Bird Fourteenth Annual of the Cornell Laboratory of Ornithology,Douglas A. Lancaster, ed., 1975
Each drawing represents the production of one note. The solid line depicts the head just before the note begins and the dotten line depicts the head’s position at the end of the note. The solid horizontal lines serve as reference points to note the slight head lowering with each of the early notes.

kiki smith – “beannacht”, 2010, collage drawing with nepalese paper, pencil, and red ink

Kiki Smith, Untitled (Bird with Bell on Hand), 2006, Stencil print with silver and gold leaf, 11 ¾ x 9 1/8 inches (29.8 x 23.2 cm)

Kiki Smith, Jersey Crows, 1995, silicon bronze, installed at the Pace Gallery