
Renate Bertlmann – Reliquary of the Holy Erectus (1978)

‘Pregnant’ by Renate Bertlmann

Birgit Jürgenssen, Untitled (Improvisation), 1976, black and white photograph.

Renate Bertlmann
Zärtliche Berührungen (Tender Touches), 1976

Hermann Nitsch’s Stretcher (1963-1964)

Renate Bertlmann, Untitled, 2016
“My 1st action [Versumpfung einer Venus , 1963] was based on the idea of integrating the human body in a
sculpture. Instead of the bulky material used to make the junk sculptures I now mainly worked with soft materials
such as cooking oil, margarine, tomatoes, raspberry juice, milk, whipped cream, eggs sunny side up, raw eggs,
flour, semolina, meat, vegetables, cacao, oranges, ground chocolate, marmalade, cream, peas, cucumbers, fish,
insulating bands, strings, towels, skin cream, dust paint, paste and water. The creative process became increasingly
foregrounded, there was no more final point. The picture and the sculpture had become superfluous. I called
these staging’s with bodies and materials ‘material actions’.”
– Otto Muehl, in: Aktionismus – Aktionsmalerei 1960-65, exhibition catalogue, ed. Peter Noever / MAK, Vienna
1989, p. 26