
Oliver & Oliver with a Mask #3 (in 2 parts) by Catherine Opie

Oliver & Oliver with a Mask #3 (in 2 parts) by Catherine Opie
rona pondick
There will be time for apologies. We have the rest of our lives to do this differently. There will be time to reach out to those you may have wronged and say that you were a younger and different person, you are sorry, you didn’t know, you tried not to know, you know now. There will be time to make it right, but it will take precisely that. It will take time.
We want a flavor of equality that none of us have tasted before.
What women like me want in the long term is for you to stop this shit and treat us like people. We want you to accept that you have done bad things, so that in the future you can do better. We want a flavor of equality that none of us have tasted before. We want to share it with you. We want a world where love and violence are not so easily confused. We want a species of sexuality that isn’t a game where we’re the prey to be hung bleeding on your bedroom wall.
Right now, we also want to rage. We are not done describing all the ways this shit isn’t okay and hasn’t been okay for longer than you can believe. We want you to make space for our pain and anger before you start telling us how you’ve suffered, too, no, really you have. We are angry, and we are disappointed.
Because you made everything precious in our lives conditional on not making a fuss.
Because you behaved as if your right never to have to deal with anyone else’s emotions or learn the shape of your own was more important than our very humanity.
Because you made us carry the weight of all the hurt that had ever been done to you, and then you praised us for being so strong.
Because we tried for so long to believe the best of you, because it felt like we had no other option.
I promise you will survive our rage. We have lived in fear of yours for so long.

Kishio Suga – Cultivated Space—N
Cement blocks, paint, acrylic panels
402.6 x 40.3 x 40.3 cm, 2015

Francis Bacon (British, 1909-1992) Self-Portrait. Hirshhorn Museum and Sculpture Garden, Washington D.C.

A naked man at the feet of a naked woman
Bruno Schulz
1920

Rebecca Horn (German, born 1944), Painting machine (Malmaschine) , 1988, Medium:metall construction, motor, brushes, pigment and stretched canvases