
Felix Gonzales Torres – Untitled , (placebo) 1991 – candies, individually wrapped in silver cellophane, endless supply, ideal weight 500-600 kg, dimension variable

Felix Gonzales Torres – Untitled , (placebo) 1991 – candies, individually wrapped in silver cellophane, endless supply, ideal weight 500-600 kg, dimension variable
Jana Sterbak, Remote Control 1, 1989, installed at New Museum, NY, 1990

GINA PANE

Felix Gonzalez-Torres

Mary Kelly, Gloria Patri, 1992, detail (one of five shields)
“The dramatically-lit shields, trophies, and discs of Gloria Patri initially present riddles of texts taken out of context, narratives about the physical fitness of women. But what we are seeing here are actual media reports of battle from the war in Iraq in the early 1990s, etched onto the surface of these objects polished to a super-flat metallic shine. In a parody of the way masculinity is defined and displayed, and as part of the artist’s ongoing interrogation of gender politics, Gloria Patri considers the consequences, for women, of adopting the masculine ideal.“
–Art Basel

Callum Morton, Cellar, 1998, wood, motor, lights, sound and acrylic

Damien Hirst, Lost Memories and Dreams Forgotten, 2008 – 2009D, diptych, each: 1829 x 2743 x 102 mm | 72 x 108 x 4 in, Glass, stainless steel, steel, aluminium, nickel and cubic zirconia

Kiki Smith, Les creatures volantes (set of 6), 1998

Untitled, 1991 (waves reflected in water Offset Poster/Print by Felix Gonzalez-Torres)

Felix Gonzalez-Torres



Kiki Smith, Lounging Legs (5) 2005 collage, ink on Nepal paper 19 ½ x 30 inches