
Ana Mendieta

Ana Mendieta
Mona Hatoum , Undercurrent, 2004, Electric cable, incandescent lamps, computerized dimmer unit, diameter 950 cm1/3 + APMagazine III Production

Jenny Holzer, Black Garden, 1994 (Permanent installation, Nordhorn, Germany.

Anselm Kiefer, The Obscure Clarity that Falls from the Stars, 1996, acrylic, 0il, emulsion, sunflower seeds on canvas

Pedro Cabrita Reis , True Gardens # 2 (Stockholm), 2001, MDF, lamps, laminated glass, enamel, power cable
Variable dimensions

Mona Hatoum, Chain, 1999, Leather gloves, nylon thread, wood, steel, 100.30 x 25.40 cm, Private Collection

Ana Mendieta, Untitled, Iowa, 1977

marlene dymas

Nobuyoshi Araki

Kiki Smith, Untitled (The Sitter), 1992.
Robert Gober, Crouching Man, 1982.

Sam Taylor Wood
Travesty of a Mockery,
The righteous attempts of a couple to outline their respective positions in an argument are mirrored in the dual screens of this installation. The changing channels of a radio places each stage of the argument to a different soundtrack, highlighting one of the major ways that emotion is manipulated by filmmakers.