
Francis Bacon, Sphinx, 1954

Francis Bacon, Sphinx, 1954

Jo Spence

Francis Bacon, Man Drinking, 1955

Anselm Kiefer, 1974

Untitled
1960 45.7 x 38.1 cm
Estate of Eva Hesse

Ernst Ludwig Kirchner (All. 1880-1938), Taunus Road, 1916, oil on canvas, private collection

Ana Mendieta

Anne Ferran, “1-38”
“1-38 begins with a study of departmental health records and photographs from a women’s mental asylum in mid-twentieth century Sydney. Rather than re-photographing the images in their entirety, Anne decided to crop in, focusing on the gesture of the hands, the area of the torso, and most importantly, keeping the identity of each woman concealed. What results is a sequence of body movements, where each hand emotes anxiety, anger and stillness, sometimes clutching at one’s clothes, or making gestures of self-protection.”
–Lisa Blas

Damien Hirst, Studio Half Skull, Half Face (with diamond dust), 2009,
Screenprint in colors with diamond dust, on Somerset paper, with full margins,
I. 27 1/8 x 36 1/8 in. (68.9 x 91.8 cm)
S. 34 5/8 x 43 in. (87.9 x 109.2 cm)

Jana Sterbak, “Catacombs”, 1992. © Jana Sterbak.

Alexis Hunter, Approach to Fear: XVII: Masculinisation of Society – exorcise, 1977, 10 vintage colour photographs, mounted on 2 panels, Each: 25 x 101 cm